Terry Johnson, author of Insignificance, is a remarkable writer! He delves into fascinating subjects in fascinating ways. Three years ago, The Nora produced his play, Hysteria, based on a historical meeting of Sigmund Freud and Salvador Dali. Mr. Johnson conjured up a conversation between the father of modern psychology and the surrealist painter that touched on the nature of art and passion. With Insignificance, he seems once again to be bringing together iconic, historical figures to grapple with the anxieties of living in the modern world, only this time his characters do not have names but rather go simply by their professions: the Senator, the Actress, etc.
The play is set in the 1950’s, and the unease these characters exude feels very germane now. They are caught in a web of celebrity, and our obsession with fame has not gone away; one could argue that indeed it has intensified. What is gained by this star worship and where does it lead? Are the lives of these people somehow more meaningful because they have reached such great heights? What kind of pressure are we “lesser” mortals exerting on these idols to behave in prescribed ways or on ourselves to strive for something that perhaps we don’t even want? What constitutes a significant life?
We have assembled a great team to wrestle with these questions! Our stellar group of actors, designers, stage managers, and technicians–some of whom were also part of our Hysteria company–have thrown themselves into this project with great commitment and zeal. Many, many thanks to them for their artistry and dedication. At the helm and guiding us with a steady and sure hand is Daniel Gidron, director of countless plays here at The Nora, including Hysteria. Thank you, Danny, not only for your superb work on Insignificance, but for the many years of our work together.
Finally, to you, our audience members, a big thank you for being part of the work of The Nora Theater Company. I am continually grateful for your enthusiasm to journey forth on these theatrical adventures with us.