Tim Fine (A1) is a Boston based Audio Technician and Scenic Artist. Some previous credits include: Huntington Theatre; Eureka Day (Scenic Artist), To Kill a Mockingbird (A2 substitute), Commonwealth Shakespeare Company; Midsummer Nights Dream (A2) A Christmas Carol 2024 and 2025 (A2)

Raven Flaig (A1) is a theatrical sound designer and engineer. She attended Grand Canyon University (AZ) as a Theatre Major, class of 2026. There, she sound designed productions such as The Diary of Anne Frank, Little Women the Musical, Our Town, Little Shop of Horrors, Romeo and Juliet, and Bright Star. She was also an A1/A2 for productions such as Murder on the Orient Express, Mary Poppins, Tuck Everlasting, Little Women the Musical, and Little Shop of Horrors. She also was the stage manager for Frozen Jr (Moorpark, CA), and the Lighting Designer at Camp of the Woods (Speculator, NY).

Rafi Levavy* (Stage Manager) is thrilled to return to CST, where he previously stage managed Ada and the Engine.  Other Boston credits include Speakeasy Stage, Actors’ Shakespeare Project (Exit the King), Stoneham Theatre (Lucky Stiff), Lyric Stage (My Fair Lady), and New Rep (Boston Marriage).  He has toured the country with Beautiful: The Carole King Musical and many productions with Theatreworks USA, and has worked on 14 Off-Broadway shows (including many major companies).  Regionally, Rafi has worked at Shakesperience Productions, Seven Angels Theatre, Colorado Springs Performing Arts Center, Hanover Theatre Repertory, Arizona Theatre Company, Interlochen Shakespeare Festival, New Bedford Festival Theatre, Alabama Shakespeare Festival, Pennsylvania Shakespeare Festival, Virginia Stage Company, Theatre Exile, Bagaduce Theater, Casa Mañana, Wellfleet Harbor Actors Theater, Depot Theater, Kentucky Repertory Theatre, Lincoln Center Theatre, Berkshire Theatre Festival, Foothills Theatre Company, The Miniature Theatre of Chester, Centenary Stage Company, Barter Theater, George Street Playhouse, Northern Stage, PCPA Theaterfest, Helen Hayes Performing Arts Center, Maine State Music Theatre and Paper Mill Playhouse. Additionally, Rafi has worked for Jim Henson Productions and Walt Disney Theatrical Productions, and has stage managed clown school and shows for the NY Musical Theater Festival.  A proud member of Equity, Rafi holds a degree in computer science from Brandeis University.

Peter Sasha Hurowitz (Video Designer) Trinity Rep: More than 80 productions, including sound design for Next To Normal, A Christmas Carol, Sweeney Todd, The Inheritance, The Winter’s Tale, The Roommate, Someone Will Remember Us, Fairview, Tiny Beautiful Things, Little Shop of Horrors, Ragtime, Like Sheep to Water, or Fuente Ovejuna, and A Midsummer Night’s Dream, and video design for The Getaway Driver, Social Creatures, La Broa’ (Broad Street), and black odyssey.Other Recent Credits: The Smuggler, Between Riverside and Crazy, Amadeus, Ironbound, An Octoroon, The Gamm Theatre; Cymbeline, Commonwealth Shakespeare Company.

DJ Potts+ (Co-Sound Designer) Broadway: Associate Designer, An Enemy of the People, Jaja’s African Hair Braiding, Fat Ham, Topdog/Underdog, Slave Play, Clyde’s. Off-Broadway: The Waterfall, The Women’s Project; Triple Threat, Traverse32; Icons of Culture, Refuge: A concert Series, PAC NYC; Open Call, The Shed; The Bull Jean Stories, Hello Again The Drama League. Regional: The Aves, Berkeley Rep; Primary Trust, Cleveland Play House; Red Pitch, Olney Theater Center; Kunene and The King, Shakespeare Theatre Company; Fabulation, or The Re-Education of Undine, Chautauqua Theater Company; King James, The Children, Northern Stage. Educational: Romeo & Juliet, Glass n’ Mirrors, The New School; Angela Davis School for Girls With Big Eyes, Holy Week, Rutgers. Website: dwainejihaad.com. IG: @djaudioguy