Juliet is thrilled to work with CST. Favorite roles include Not Medea (Elliot Norton nomination), Silent Sky (IRNE Award winner for Best Supporting Actress), The Pillowman (Tupolski), Bright Room Called Day (Gotchling), Our Miss Brooks (Connie Brooks), The Winter’s Tale (IRNE nomination), and Bully Dance (Nola). Juliet is also a director, improviser, and professional voice artist, serving as the voice of United Way Massachusetts, Dental Relaxation, and Keep Local Farms, along with a variety of documentaries, serialized dramas, and video games.

Curt Columbus became Trinity Repertory Company’s fifth artistic director in January 2006. He is also the artistic director of the Brown/Trinity Rep MFA programs in Acting and Directing. His directing credits for Trinity Rep include POTUS, Becky Nurse of Salem, Sweeney Todd, Tiny Beautiful Things, Macbeth, Ragtime, Beowulf: A Thousand Years of Baggage, Middletown, Vanya and Sonia and Masha and Spike, The Merchant of Venice, His Girl Friday, Camelot, Cabaret, Blithe Spirit, A Christmas Carol, Cherry Orchard, and the world premieres of The Completely Fictional—Utterly True—Final Strange Tale of Edgar Allen Poe and Social Creatures. Trinity Rep has been home to the world premieres of three of his plays, Paris by Night, The Dreams of Antigone, and Sparrow Grass, and produced his translations of Chekhov’s Cherry Orchard and Ivanov, as well as Feydeau’s A Flea in Her Ear and Lope de Vega’s Like Sheep to Water (Fuente Ovejuna).

Curt’s adaptation of Dostoevsky’s Crime and Punishment (with Marilyn Campbell) has won awards and accolades around the United States, the United Kingdom, and Australia. His translation of Chekhov’s Three Sisters, developed at the Arden Theatre in Philadelphia, is published by Dramatists Play Service, as is Sparrow Grass and his translations of Chekhov’s Seagull, Uncle Vanya, Cherry Orchard, and Ivanov. Curt lives in Providence, Rhode Island with his husband, Nate Watson.

Updated April 2026.

Charlie Thurston‘s plays Someone Will Remember Us, Radical (both co-written with Deborah Salem Smith: deborahsalemsmith.com/)Lifted, A and B, Empire, A Demonstration by Patient Edward, and The History Room have been developed or produced at Huntington Theatre, Trinity Rep, The Filigree Theatre, The Wilbury Group, Brown University, Cornell College, and Creede Repertory Theater.  He was the 2012 recipient of the Trinity Repertory Company’s David Wickham Memorial Playwriting Prize.  He holds an MFA in Acting from Brown University/Trinity Rep where he studied playwriting under Erik Ehn and Deborah Salem Smith.

Updated April 2026.

DEBORAH SALEM SMITH (she/her) is Trinity Repertory Company’s playwright-in-residence, and a Huntington Theatre Playwriting Fellow.

Her plays include Someone Will Remember Us (co-written with Charlie Thurston), Anna K., Faithful Cheaters, Love Alone, Some Things Are Private, and Boots on the Ground. She has received multiple commissions, and her writing has been developed at Fiasco Theater, Trinity Rep, Playmakers Repertory Company, and the Huntington Theatre Company. Her work is published by Dramatists Play Service.

Smith grew up in Charlotte, North Carolina, and graduated cum laude from Princeton University where she won the Francis LeMoyne Page Visual Arts Award, the Ward Poetry Prize for Superior Work in Poetry, and the Morris W. Croll Poetry Prize Honorable Mention. Smith went on to get her M.F.A. in poetry from the University of Michigan where her writing was recognized with a Hopwood Major Essay Award, a Roy W. Cowden Memorial Fellowship in Poetry, and a Colby Fellowship in Creative Writing. Her teaching was nominated for the Outstanding GSI Award and the David & Linda Moscow Prize for Excellence in Teaching. She also had poems published in the Berkeley Poetry Review.

She received an Emerging American Artist Fulbright for playwriting at the Abbey Theatre, Ireland’s national theater. Other awards include an Edgerton Foundation New American Play Award, a Jane Chambers Playwriting Award Honorable Mention, Portland Stage’s Clauder Competition Award (RI Winner), and the Best New Work Motif Theater Award. She was also a finalist for the Lambda Literary Award in Drama and for the IRNE Award for Best New Play. Her work has been honored with an Andrew Mellon National Fellowship in the Humanities, a Bray Visiting Scholar/Creative Artist Fellowship, and a MacDowell Colony Residency.

She teaches playwriting in the Brown University/Trinity Rep M.F.A. Acting and Directing program. On windy days, if she opens her window, she can hear the ocean.

Updated April 2026.

Jennifer Drummond (Maxine Singer) is thrilled to be working with Central Square Theater for the first time and deep‑diving into DNA—both onstage and off. By day, she works as an Executive Assistant at a biotech company in Cambridge, which feels fitting and fortuitous given the subject matter.

Jen was grateful to collaborate with playwright Patrick Gabridge on Plays in Place for the 2025 performances of The Kittie Knox Plays—adding “acting while riding a bike in period costumes” to her special skills—and A Revelation of Character. Past favorite roles include Sally Bowles in Cabaret, Ophelia in Hamlet (performed at the Edinburgh Fringe Festival), and Marlene in Top Girls.

Much love to her endlessly patient and sweet husband—and cheers to science!