Ken Baltin CST credits include The Fever Chart and The Loudest Voice (URT); and The Cherry Orchard (The Nora). 2012-13: The Screenwriter’s Daughter (Vineyard Playhouse), The Kite Runner (New Repertory Theatre), and The Sussman Variations (Boston Playwrights’ Theatre). Recent credits include Deported/A Dream Play, King of the Jews, and Permanent Whole Life (BPT); Cymbeline (Actors’ Shakespeare Project); Last of the Red Hot Lovers (Gloucester Stage Company); Eurydice (New Rep); Copenhagen (Vineyard Playhouse); and Arms and the Man (Lyric Stage). Other Boston credits: Waiting for Godot, Twelfth Night, American Buffalo, and others (New Rep); Glengarry Glen Ross, Lost in Yonkers, Laughter on the Twenty-Third Floor, and Shakespeare in Hollywood (Lyric Stage); Art, Over the Tavern, Picasso at the Lapin Agile, Speed-the-Plow, Oleanna, The Illusion, and others (Merrimack Rep); The Last Night of Ballyhoo, Beau Jest, Yom Kippur at Danang, and others (Jewish Theatre of NE). Ken is on the acting faculty at The Boston Conservatory.