Sarah Shin
Sarah Shin (Director) she/her, is a Korean American director and theatre artist originally from the small town of Schwenksville, Pennsylvania. Recent Directing Credits: The Sweet Science of Bruising (Boston University), Wolf Play (Brandeis University), H*LL HATH TURNED OVER. F*CK (Makers’ Ensemble), The Chinese Lady (Central Square Theater, Greater Boston Premiere, Boston Globe Top 10 of 2022 Pick, 5 Eliott Norton Award Nominations), The Sitayana (or “How to Make An Exit”) (The Tank, NY Premiere). Associate/Assistant Credits: EMPIRE RECORDS (McCarter Theatre Center), Sweeney Todd: The Demon Barber of Fleet Street (Broadway, SDC Observer), The Wanderers (Roundabout Theatre Company), Much Ado About Nothing (Shakespeare & Company), The Gift Project Documentary Series (All For One Theater, Zanni Productions/PBS All Arts), The (Diana) Oh Family Concert (Zanni Productions/PBS All Arts), Endlings (NYTW), Moby Dick (ART), Twelfth Night (Catskill Mountain Shakespeare), and MY H8 Letter 2 The Gr8 American Theatre (Ma-Yi/The Public Theater). Select performing credits include Endlings (Hedgerow Theatre), OriGen Story (Clubbed Thumb, Pan Asian Rep, LaMama), The Tempest (Catskill Mountain Shakespeare), Specially Processed American Me (Ping Chong & Co.), Sea Longing (The Parsnip Ship). Her work has been supported by the Public Theater/Brooklyn College Residency, NYC Women’s Fund for Media, Music, and Theatre, The Boston Foundation, NEFA Public Art for Spatial Justice Grant, and Asian American Arts Alliance WWYD Grant. Co-Founding Producing Director of Queer Asian Babes and Asian American Theatre Artists of Boston, Roundabout Directors Group Cohort 4 Member, Ma-Yi Writer’s Lab 2024-2025 Resident Director, A4 Virtual Resident Artist (2020-2021), New York Stage and Film 2025 Pfaelzer Award Recipient, and SDC Associate Member! Upcoming Projects: The Supreme Leader (Mile Square Theater), The Chinese Lady (Stages Houston). BFA Theatre Arts Boston University www.sarah-shin.com IG: @shinnysarah