Cynthia Woo (she/her) is the Director of Pao Arts Center of Boston Chinatown Neighborhood Center. Cynthia has been the inaugural Pao Arts Center Director at BCNC since Jan 2017. She has more than 15 years of experience in the non-profit arts and arts education sector. Prior to joining the staff at BCNC, Cynthia worked at the Chinese American Museum of Los Angeles, LynnArts Inc, Museum of Fine Arts, Boston, and Boston Center for the Arts.

Cynthia Woo（她）是包氏文艺中心（隶属于波士顿华埠社区中心）的主任。她在非盈利艺术和艺术教育领域有超过15年的经验。Cynthia曾在洛杉矶华美博物馆、LynnArts、波士顿美术馆和波士顿艺术中心工作。

Susan Chinsen (she/they) is a Creative Producer at ArtsEmerson. She established the annual Boston Asian American Film Festival in 2008, where she continues as the Festival Director. Previously, she managed the Chinese Historical Society of New England, and was an engagement consultant for the PBS documentary ‘The Chinese Exclusion Act’, and ‘Plague at the Golden Gate’; building upon her community work and past experience working at GBH. She is on the Board of Directors at South Cove Community Health Center, MASS Creative, and a Steering Committee member of the API Arts Network.

Susan Chinsen（她/Ta）是ArtsEmerson的创意制作人。2008年，Susan创立了一年一度的波士顿亚美电影节，并在之后一直担任该电影节的总监。在此之前，她在波士顿电视台工作，有丰富的社区工作经历，曾管理新英格兰中国历史协会，并担任PBS纪录片《排华法案》和《鼠疫袭金门》的顾问。她是南湾社区医疗中心和MASS Creative的董事会成员，也是API Arts Network指导委员会的一员。

A 1.5-generation immigrant originally from Jilin City, China, Alison Yueming Qu (she/they) is an Actor, Director, Dramaturg, and Creative Engagement Producer. Alison is Co-Founder & Executive Director of CHUANG Stage—the first Mandarin bilingual, bicultural 501(c)3 theater collective nationwide based in Boston, MA, and produces programs for both local and global audiences. Their recent artistic endeavors include Young Nerds of Color (Central Square Theater), Shrike (Fresh Ink Theater), We & Other Queer Goddexxes (Company One), workshop reading of Ascend! by Amy Zhang (The Tank, 2021 NY City Artists Crops grant), Earthquake by Tatyana Emery (Reground Theater Collective), Waiting for Kim Lee by Vivian Liu-Somers (Asian American Theater Artists of Boston). They have also worked closely with Pao Arts Center, Asian American Playwrights Collective, MIT Music & Theater Arts, TC Squared Theater Company, ArtsEmerson, Ping Pong Productions and more. Currently, Alison is the Associate Producer of HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Alison is a recipient of the TBF Live Arts Boston grant, National New Play Network Collaboration Grant, National Arts Strategies New England Creative Community Fellow, and a steering committee member of API Arts Network. Alison graduated from Emerson College with a BFA in Theatre (Directing and Dramaturgy).

曲悦鸣（她/ta）是一位创意制作人，导演，戏剧构作；爱默生学院戏剧艺术学士学位毕业。2019年联合创立位于波士顿地区的双语跨文化戏剧公司CHUANG Stage, 致力于打造突破旧定义、延伸中美与亚美之间艺术语言共通点的张力新戏剧，推动海内外亚裔艺术家创作，成为与”世界公民“观众一同成长的国际艺术新社群。曲悦鸣目前作为联合制作人就职于国际戏剧文化交流平台HowlRound Theatre Commons。曲悦鸣曾与包氏文艺中心、波士顿亚美编剧联合会、麻省理工戏剧中心、Company One Theatre, Fresh Ink Theater, ArtsEmerson等剧院合作。2021 Live Arts Boston艺术发展项目基金，National New Play Network社群合作项目基金，国家艺术战略(NAS)社群创意奖金获得者。

Sarah Shin is a Korean American actor/director/producer theatremaker. She is the Co-Founding Artistic Producer of Asian American Theatre Artists of Boston, which seeks to empower and connect Asian American, Pacific Islander American, MENA American, and Kanaka Maoli theatre artists in the Greater Boston Area through social gatherings, physical and virtual! Currently AATAB has launched AATAB Online, a Virtual Reading Series through Zoom and Facebook. Some past partners include API Arts Network, Pao Arts Center, Asian American Playwrights Collective, Company One Theatre, American Repertory Theater, and the Boston Asian American Film Festival. Sarah’s recent performing credits include “The Three Musketeers (Greater Boston Stage Co./Front Porch Arts Collective), “Something Else: A Love Cycle (BU STAMP)” and “Runaways (BU).” Other Production credits include “Endlings (Assistant Director, NYTW),” “Moby Dick (Choreography Assistant, ART),” “Amputees (Director, BU),” and “Asiamnesia (Director, Brandeis University).” Sarah is also a proud Advisory Board Member of StageSource. www.sarah-shin.com She/her/hers.

Rebecca Leu (she/they) is the Development and Communications Associate at Asian Community Development Corporation. Born in Taiwan, she came to the US for college. At Wellesley College, Rebecca led a successful campaign to instate a tenure-track line in Asian American Studies (AAS) – continuing the #FightForAAS that first started decades ago. They are passionate about harnessing people-power and institutional resources to strengthen the community. Prior to joining ACDC, she was at a digital fundraising nonprofit located in Somerville, MA. They are bilingual in English and Mandarin, and is working on her Taiwanese.

Wenxuan Xue (any pronouns/ta/祂) is a queer migrant artist, teacher, scholar, dramaturg, and a PhD student in Theatre & Performance Studies at Tufts University. They create, support, and research contemporary performances that explore inter-Asian and Asian diasporic migration, race, queer/transness, and ecologies towards collective liberation. Wenxuan’s artistic process centers on nurturing and awakening “the inner child,” who always sees love, tenderness, and kindness in the darkest corners, who is so curious, open, and playful about the world’s beautiful messes, and yet undisciplined to be ruled by norms of gender, borders, and adulthood. Their teaching and research practice is inspired and guided by critical ethnic studies, feminist/queer/trans studies, theatre and performance studies, and environmental humanities. Ta has recently worked with Company One Theatre, Gung Ho Projects, Square Theatre, the Lark, New York Stage and Film, Eugene O’Neill Theater Center, and Ping Pong Productions.

薛文轩（ta/祂）是一名酷儿艺术家、教师、学者、戏剧构作及塔夫茨大学戏剧表演研究的博士生。Ta的创作和研究兴趣方向是探索当代表演中的亚际及亚裔移民、种族、酷儿/跨性别，以此达成集体解放的目标。文轩的艺术创作过程以培养和唤醒“内心的孩子”为中心——这个孩子总能在最阴暗的角落里看到爱、温柔和善良，对世间的一切美丽和混乱充满好奇，同时又不被性别、界限和成人的规则所束缚。文轩的教学和研究方向受到批判性种族研究、女权/酷儿/跨性别研究、戏剧表演研究和环境人文的启发和引导。文轩近期与Company One Theatre、工合、Square Theatre、the Lark、New York Stage and Film, 尤金奥尼尔戏剧中心和乒乓艺术都有过合作。

Wisteria Deng (she/her) is the Managing Director of Vermilion Theater. In her second life, she is a PhD candidate in the clinical psychology program at Yale University and a therapist in the Yale Gender Program serving transgender youth. She carries fond memories of the Singapore rain (The Theatre Practice, 2013-2015), the Ann Arbor snow (Thus Spoke Ann Arbor, 2016- 2018) and the Boston potholes (Wuming Drama Club, 2019-2021) in founding Vermilion. Ins: @wisteria__

邓钰山（她）是朱雀剧团的执行总监。在她的第二人生里，邓钰山是耶鲁大学临床心理学的博士生和耶鲁性别项目的心理咨询师，致力于服务跨性别青少年。她协着对新加坡的雨（绿园剧社，2013-2015）、安娜堡的雪（安娜说话剧社，2016- 2018）和波士顿的洼地（无名剧社，2019-2021）的美好回忆，创办了朱雀剧团。Ins: @wisteria__

Yuning Su (he/him) is the artistic director of Vermilion Theater. He graduated from the Central Academy of Drama in China and is now based in Boston. He has a career in both theater and film directing. His work in the past years include plays such as Mr. Donkey, Sorrow of Comedy, Das Capital, and Secret Love In Peach Blossom Land. Ins: @s.yuning

苏禹宁（他）是朱雀剧团的艺术总监。他是一名戏剧及影视导演，毕业于中国中央戏剧学院，现基于波士顿。近期话剧导演作品有《驴得水》、《喜剧的忧伤》、《资本论》和《暗恋桃花源》等。Ins: @s.yuning