Sylvia Bagaglio: Sylvia is happy to be returning to URT, having served as Properties Coordinator for Breaking the Code and Stage Manager for Krik! Krak! She has been working backstage for over 15 years, picking up skills in props, lighting, scenic painting, stage management, costumes, and special effects make-up. She has  a B.F.A. from Hofstra University, and has worked for companies in New York, New Jersey, Virginia, North Carolina, Maine, and her home state of Massachusetts. Her scenic design skills will soon be featured in a mounting of Lucky Stiff with Moonbox Productions.

Nathan Leigh is thrilled to return to Central Square Theater where he previously has designed Fever Chart and Matt & Ben for Underground Railway Theater.  He has composed scores for Stoneham Theatre (IRNE Best Sound Design 2009 for Strangers On A Train), Central Square Theater (IRNE Best Sound Design 2010 for The Hound of the Baskervilles), ART, Williamstown, Berkshire Theatre Festival, New World Stages, and many more. With Kyle Jarrow, Nathan co-created Big Money (WTF Boris Segall Fellowship 2008) and The Consequences (World Premiere 2012 at WHAT). With Liars and Believers, he scored Song of Songs and Icarus. He is currently the head writer for Afropunk.com, and his most recent album is A Life In Transit.

Nathan Leigh (Sound Designer) has composed scores for Stoneham Theatre (IRNE Best Sound Design 2009 for Strangers On A Train), Central Square Theatre (IRNE Best Sound Design 2010 for The Hound of the Baskervilles), ART, Williamstown, Berkshire Theatre Festival, New World Stages, and many more. With Kyle Jarrow, Nathan co-created Big Money (WTF Boris Segall Fellowship 2008) and The Consequences (World Premiere 2012 at WHAT). With Liars and Believers, he scored Song of Songs and Icarus. He is currently the head writer for Afropunk.com, and his most recent album is A Life In Transit.

Steven McIntosh is very pleased to be returning to design The Hound of the Baskervilles for The Central Square Theater once again. Past lighting designs at Central Square Theater include On The Verge for The Nora Theater Company and Einstein’s Dreams and Alice’s Adventures Underground for the Underground Railway Theater. Steven’s other local credits include Speech and Debate (sound design) with The Lyric Stage Company of Boston; Daughter of Venus (lighting design), Little Black Dress (sound design), The Devil’s Teacup (sound design) and The Red Lion (sound design) with Boston Playwrights’ Theater; Water’s Rising (lighting and sound design) and Slow Down! Shut Up! I Can Handle This! (lighting and sound design) with the National Theater of Allston. Steven is also the Technical Director and resident lighting and sound designer for Suffolk University’s Modern Theatre and C. Walsh Theatre.

Mallory Frers is pleased to return to Central Square Theater for The Hound of the Baskervilles. Her recent credits include Broke-ology, The 25th Annual Putnam County spelling Bee, Lady Day at Emerson’s Bar and Grill, Shipwrecked!, Speech and Debate, and The Year of Magical Thinking (The Lyric Stage Company of Boston), and Measure for Measure (UMASS Lowell). She has also had the pleasure of designing for the last two seasons for the A.R.T/MXAT Institute at the American Repertory Theatre. She currently serves as the wardrobe supervisor for Emerson Stage and is a graduate of Emerson College where she earned her BFA in Design Technology.

Carlos Aguilar is excited to return to Central Square Theater for the encore presentation of The Hound of the Baskervilles. He recently completed his graduate studies in scenic design at Brandeis University. Prior to being a student on this coast, he worked in the San Francisco Bay Area with companies such as The Cutting Ball Theater, American Conservatory Theater, the Magic Theatre, and others with the credits of set designer, set design assistant, costume design assistant, scenic painter, and scenic charge. He also recently worked in Washington, D.C., at The Studio Theatre as assistant set designer for their production of Moonlight. At Brandeis he designed a production of Funnyhouse of a Negro, and worked on the productions Saturday Night, Siddartha, and Everything in the Garden.  He received his BA in theater from San Francisco State University.