Steven Canny has writen or adapted many works, including Origins, Foot/Mouth, The Hound of the Baskervilles, A Dulditch Angel, A Shropshire Lad, Humble Boy, Mnemonic, and The Virtuous Burglar. His directing credits include Slavery: the Making of…, The Fire Raisers, A Conspiracy at Sevres, Otherkin, When You Cure Me, Caesar! Empress of the West, Donation, Burglar Beware, Eleven Lessons For The Paranoid, A Song for Edmond Shakespeare, The Observed, Epicoene, and Rabbit Punching. He has worked as Associate Director and Dramaturg with Theatre de Complicite between 1999 and 2005 on Measure for Measure, The Elephant Vanishes, Mnemonic, The Noise of Time, Light, and Genoa 01. Steven was also Associate Director of Al Pacino’s The Resistable Rise of Arturo Ui.
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Trent Mills is first and foremost very honored to get to work with this company, cast and creative team. He is a graduate of The Boston Conservatory in musical theatre. Last year he was seen in Boston at Actors’ Shakespeare Project’s A Midsummer Night’s Dream. Some of his favorite credits at the Conservatory include Killer Joe, Falsettos, Machinal, Romeo and Juliet, and Cloud 9. Trent wants to thank Tommy , Central Square Theater, and Rachel for the opportunity to get to do this hilarious show and the vast ensemble and the support they provide.
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Remo Airaldi* (Creature, Delacey, M. Frankenstein) is thrilled to be returning to Central Square Theater where he previously appeared in The Hound of the Baskervilles. He has appeared in over sixty productions at the American Repertory Theater, including Night of the Iguana, Oliver Twist (also at Theatre for a New Audience and Berkeley Repertory Theatre), and Island of Slaves (IRNE Award—Outstanding Actor). Other credits: Eight productions with Commonwealth Shakespeare Company on the Boston Common, including this past summer’s Richard III, Shakespeare in Love (Speakeasy Stage Co.), My Fair Lady, Sweeney Todd & Gypsy (Lyric Stage Co. of Boston), Exposed (Boston Playwrights’ Theater), Mistero Buffo (The Poets’ Theatre), The King of Second Avenue (New Repertory Theatre) and productions at Hartford Stage, La Jolla Playhouse, Geffen Playhouse, Cirque du Soleil, American Conservatory Theater, Walnut Street Theatre, Prince Music Theater, Actors’ Theatre of Louisville.
October 2018.
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ADELE NADINE TRAUB* (Stage Manager) is a founding company member with Actors’ Shakespeare Project where she has stage managed for over twenty five productions at ASP, from Richard III in Season 1 to The Piano Lesson in Season 21. Other stage management credits include Guide for the Homesick and I Was Most Alive With You at The Huntington Theatre Company, R. Buckminster Fuller at A.R.T.; It Ain’t Nothin’ But the Blues with Capital Repertory Theatre in Albany, NY, Shake It Up with Shakespeare & Company; plus shows with Speakeasy Stage Company, Lyric Stage Company, Israeli Stage, Vineyard Arts Project, Central Square Theater, Playwrights’ Horizons in NYC, Tina Packer’s Women of Will, and The Salt Girl with John Kuntz at Boston Playwrights’ Theatre. During her four years as Production Stage Manager at The Boston Conservatory, Adele worked on over 40 productions with the Musical Theater, Dance, Opera, and Orchestra Departments. She received her B.A. from Brandeis University and currently teaches Stage Management at Boston College. Adele also serves as the General Manager at Lyric Stage Company of Boston and is the Artist Coordinator at J.P. Licks.
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Michael Pfeiffer was a Boston based freelance Location Sound Recordist for 17 years. Michael joined Shakespeare & Company as a staff Sound Engineer in 2006 and later became the Bernstein Theatre Resident Sound Designer. Recent Productions include: The Ladies Man, The Hound of the Baskervilles, Les Liaisons Dangereuses, and War Of The Worlds. He is also the Sound Coordinator for The Fall Festival of Shakespeare and Shakespeare in the Courts. Education: BS 1986 Emerson College. Other: 1999 RTNDA Edward R. Murrow Award for feature reporting. Michael and his wife, Jana, live year round in Berkshire County.
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