Scott Nicholas has performed in Europe, Latin America, and throughout the United States. Locally, Mr. Nicholas has appeared all over the New England region in solo and chamber performances. He has been heard on WGBH Boston and has been the rehearsal and performance pianist for groups and events including the Tanglewood Festival Chorus, the Boston Pops, Minnesota Opera, Boston Lyric Opera’s outreach program, E.C. Schirmer’s Philovox Ensemble, The Boston Conservatory’s Summer Choral Festival, The Concord Women’s Chorus, The Bostonians, Chorus Pro Musica, and the Leyontene Vocal Arts Competition. Scott Nicholas has been music director for performances at the Franklin Performing Arts Company, Suffolk University, and the New England Conservatory. He received his BA in Music Education from The College of New Jersey, earned an MM from the New England Conservatory in Accompanying/Vocal Coaching, and is on the faculty of Emerson College and Suffolk University.
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Michael Wartofsky Music/lyrics: The Man In My Head (New York Musical Theater Festival 2006 starring Darius de Haas) and Running Back, co-written with Marcus Gardley (2010 NAMT showcase; New Dramatist Benefit 2011). Composer: Boston 2012 premiere of Cupcake at Boston’s Club Café featuring Karen MacDonald (lyrics: David Reiffel; book: Bradley Seeman). For North Shore Music Theater, Michael composed The Navigator and Friendship of the Sea (book/lyrics: Kathleen Cahill). The Broadway Boys regularly perform “Possibilities,” and many have performed Michael’s songs at Birdland, the Triad, Joe’s Pub, and Berklee College. He is a professor at Berklee College and adjunct faculty/alumnus at NYU Graduate Musical Theatre Writing Program
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Michael Carey appears in performance of classical, jazz, musical theater, rock, and world music. He toured with the Tommy Dorsey Orchestra and has played with popular bands including The Crystals, The Platters, and Phil Woods. Last Spring, he played Car Talk: The Musical!!! for Suffolk University. He has played woodwinds for shows such as Hair, Into the Woods, 42nd Street, Stardust, Guys and Dolls, among others. He also has played on several Holland America and Seabourn cruise ships in nine countries. He studied with Lynn Klock, Jeff Holmes, and Yusef Lateef.
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Louis Toth has performed in over 500 Boston area theater productions, encompassing all levels, from professional to educational, and many styles, from classical and folk to jazz and rock. Notable credits (area premieres indicated with a *) include: Big River, See What I Wanna See,* and Urinetown* (Lyric Stage Company of Boston); Bat Boy,* Passion,* Saturday Night,* LaChiusa’s Wild Party,* and A Man of No Importance* (SpeakEasy Stage Company); Lady in the Dark (Boston Academy of Music); Sweet Charity* (Christina Applegate revival); and, most recently, Avenue Q (Lyric Stage Company of Boston) and Cafe Variations* (SITI / Emerson Stage). Louis has also performed on bassoon with Emmanuel Music. Louis plays woodwinds, keyboards, and percussion, and he has most recently been spending his spare time practicing a nice Casavant Frères organ.
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Alexandros Trampas is a bassist/composer from Athens, Greece. He studied music theory at Rythmos Music school in Maroussi, Athens, and Jazz at Philippos Nakas Conservatory in Athens. In 2005, he was the recipient of several scholarships to study at Berklee College of Music, Boston, and in December 2011, he completed a quadruple degree, majoring in Composition, Jazz Composition, Performance (double bass), and Film Scoring. Currently, he is doing research on Rembetiko, a traditional music of Greece, in addition to working as a freelance bassist, composer, and arranger. He has toured with Mario Frangoulis and George Perris, and he has also appeared on stage with Greg Badolato, Greg Hopkins, Eriko Daimo, and many others.
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