Daniele Tyler Mathews

Daniele Tyler Mathews, they/them/theirs (Costume Designer) is an NYC-based costume designer and drag artist originally from Nashville, TN. Design credits: Hamlet, Oedipus, Julius Caesar, Macbeth, Engaging Shaw, Pericles, and Mary’s Wedding (APT); Hedda Gabler, The Winter’s Tale (Bedlam); I Am My Own Wife (LWT); Trans Scripts: the Women Part I (A.R.T.); NYU’s New Musical Workshops (2017-2019); The Wild Party, The Wiz, L’étoile, Arcadia, King Lear, Fences, and the NYC Trans Theatre Festival. Princess Grace Foundation Theatre Award (2014). MFA in Costume Design, CMU (2015). Upcoming designs: Nine (NYU), Shakespeare’s Will (IRT), Romeo and Juliet (APT). They also design and create custom clothes, including all of their own drag looks, which can be seen on Instagram or TikTok @gloria_swansong.

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Deb Sivigny

Deb Sivigny, she/her (Scenic Designer) is a multi-disciplinary artist and designer based in Washington, D.C. Her recent designs include: scenic designs for One Jewish Boy at Theater J,  Sense & Sensibility at Everyman Theatre, Huckleberry Finn’s Big River and Head Over Heels at Lyric Theatre of Oklahoma; costumes and scenery for The Nightsong of Orpheus at INSeries and production design and direction for New Kid at Planet Word with Imagination Stage; costumes for A New Brain at Barrington Stage Co., and Natasha, Pierre, & the Great Comet of 1812 at Hangar Theatre. With the playwright’s collective The Welders, she wrote and set designed “Hello, My Name Is…,” an immersive event about Korean adoptees which was exhibited at the Prague Quadrennial 2019. She is the winner of the Helen Hayes Award for Outstanding Scenic Design and a five-time nominee. She is an Asst. Professor of Scenic and Costume Design at George Mason University.
DebSivigny.com
IG: @indepenguin

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Helen Hy-Yuen Swanson

Helen Hy-Yuen Swanson, she/her (The Angel) is excited to be back at CST with Bedlam for Angels in America, Part 2: Perestroika after last spring’s Millennium Approaches. Select credits include: Black Super Hero Magic Mama (Company One/American Repertory Theatre); Dance Nation (theatre KAPOW); Hindsight 2020 (Those Women Productions); Yellow Face (O.W.I. Bureau of Theatre); The Draft (Hibernian Hall; ArtsImpulse Award Best Ensemble Winner); As You Like (Shakespeare’s Globe/Royal Conservatoire); The Witch of Edmonton, Three Sisters, and Blackout (Royal Conservatoire). Helen is an actor and violinist with an MA in Acting from Royal Conservatoire of Scotland, a Shakespeare’s Globe Residency, and training at the Michael Chekhov Actors Studio Boston. AEA-EMC/SAG-AFTRA-E. @thehelenswanson. HelenSwanson.com

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Zach Fike Hodges*

Zach Fike Hodges*, he/they (Louis Ironson) Zach returns to CST after opening Part One: Millennium Approaches last spring. This summer, he was featured in the world premiere of Jonathan Larson’s RENT in Concert alongside the National Symphony Orchestra at the Kennedy Center. International: The Censor (Hannah Khalil/London); non tutti i ladri vengono per nuocere (Dario Fo/Rome); Three Sisters (devised, Moscow) Off Broadway: Public Enemy (Pearl Theatre Co.); Paradiso: Chapter 1 Regional:Riddle of the Trilobites (CollaborationTown/Flint Rep); Twelfth Night, world premieres of The Book of Will and Kate Hamill’s Pride and Prejudice (Hudson Valley Shakespeare Festival) NYC: Love’s Labour’s Lost (The Acting Company); Leonce and Lena, Electra (Two Headed Rep); #SERIALS (The Flea) Film: A Fine Line. Zach’s one-person adaptation of Frank Wedekind’s Spring Awakening premiered off-Broadway as part of the United Solo Festival in 2016. Readings and workshops with Playwrights’ Center, Clubbed Thumb, National Black Theatre, New Georges, The Fire This Time Festival, The New Wild, LaGuardia Performing Arts Center, The Brick, and the Williamstown Theatre Festival. Directing credits include Danny and the Deep Blue Sea (Chinatown Soup), {POE} Concept Album with The Culprits, and assistant to Eliza Baldi on John Christopher Jones’ Three Sisters. In addition to his work as an actor, Zach is a passionate teaching artist on staff at New York Theatre Workshop and the Hudson Valley Shakespeare Festival. He chairs the Drama Department of the Academy summer program at The South Carolina Governor’s School for the Arts and Humanities, where he also teaches acting. Training: MA Acting – Royal Central School of Speech and Drama, BA – Fordham Theatre Program/Moscow Art Theatre School. Love to my beautiful family and friends, and a very special thank you to Tony Kushner for your words and for prophesying my playing this role a decade ago. For OPD + sdh ZFHodges.com  @zfike

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Kari Buckley*

Kari Buckley*  (Harper Pitt) is delighted to return to Central Square after making her CST/Bedlam debut in Part 1 of this astonishing play. Most recently, Kari played Mimi in the New England premiere of Is Edward Snowden Single? with Bardo Theatre Company at The Players’ Ring. Other favorite roles include Callie in Stop Kiss, Nora in A Doll’s House, and Mandy in Time Stands Still. Kari is also in a Lifetime movie if you’re into that sort of thing! A million thanks to Eric for including her on this journey, the sweeties and her mom for the never ending support. Proud graduate of The Neighborhood Playhouse. IG: @misskaribuckley

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