Lee Nishri-Howitt (Dialect Designer) – Huntington Theatre: A Prayer for the French Republic, The Lehman Trilogy, The Art of Burning, Romeo and Juliet. New Repertory Theater: Trayf, Oliver!, Hair, Romeo and Juliet. SpeakEasy Stage Company: Once, Allegiance. Lyric Stage: Assassins, The Book of Will, A Gentleman’s Guide to Love and Murder. Greater Boston Stage Company: The 39 Steps, All is Calm. Lee is an Assistant Professor of speech and accents at the Boston Conservatory at Berklee, and teaches public speaking at Harvard University.

Andrea McAdam (ASM) is currently in her final year at Suffolk University. Her most recent shows include Hub Theater’s production of Love, Loss, and What I Wore (ASM), and MassOpera’s production of Magic Flute(ASM). She is grateful to have been able to work alongside a cast and crew of spectacular human beings. Please enjoy the show!

Julia Wonkka, she/her (Properties Designer) is a props and scenic designer based in the Boston area. Previous CST credits include: The Hound of the Baskervilles, Your Town (Scenic/Props Designer), Silent Sky, Her Portmanteau, SPACE, Beyond Words, Machine Learning, Perestroika (Props Artisan). Other credits include Umbrella Stage: The Counter (Scenic/Props Designer), Tick, Tick…Boom!, The Spitfire Grill, The Minutes (Props/Set Dressing). Lyric Stage: A Sherlock Carol (Props Designer) Spindrift Theater: My Mama and the Full Scale Invasion (Scenic Designer). SpeakEasy Stage: Primary Trust(Assoc. Scenic Designer). Moonbox: Guts, Legally Blonde (Props Designer), The Hub: Tartuffe, Burn This (Props Master). Emerson Stage: Are You Someone to Somebody? (Scenic/Props Designer), Three Romances… (Scenic Designer).

Ryan Rappaport (he/him/his) is a Boston-based actor, dramaturg, and theatre artist finding his way through the wild world of theatre. He is excited to be working as dramaturg for Angels in America, Part 2: Perestroika. Ryan is also serving as the newly-minted Connectivity Fellow here at CST. Ryan holds a BFA in Musical Theatre from Western Connecticut State University, where he had the opportunity to facilitate the production of two new plays, Benjamin Colón’s Dognap on Dekalb (Assistant Director and Production Dramaturg) and John Nordt’s Night #3 (Dramaturg). Since graduating, Ryan has acted in CST’s YU reading of Super Happy Story in the summer of 2022. He has also been learning the art of playwriting and aspires to see a show of his own onstage someday.

Kayleigh Kane is a Boston-based intimacy professional and multi-disciplinary artist working in theater and film around New England, New York, and beyond. Select recent Intimacy Direction credits include Summer Stock (Goodspeed Musicals), Torch Song (Moonbox Productions), Dracula: a feminist revenge fantasy, really and Rent (Umbrella Stage Company), and The Moors (Entropy Theatre). She has provided intimacy support and education at higher education institutions, including Harvard University, Tufts University, Brandeis University, and more. Kayleigh also works frequently with improv theaters and experimental ensembles, implementing intimacy tools and safety protocols for consent-based improvised contact and physical play. She holds a certification in Intimacy Direction from IDC. In everything she does, Kayleigh is a joyful believer in pushing the boundaries of the artform while supporting the boundaries of the artists. Learn more at kayleighkane.com.