Annabeth Kelly (Properties Coordinator) is a former Nora Theatre Company intern and semi-recent graduate of the University of Massachusetts Amherst, where she studied Theater. While her main passions are dramaturgy, writing, and sound design, she made her debut in properties coordination last season with The Nora’s production of The Midvale High School Fiftieth Reunion and is happy to be back at CST doing similar work. At UMass, Annabeth served as assistant dramaturg for the Theater Department’s productions of Marie Antoinette and Collidescope 2.0: Adventures in Pre- and Post-Racial America. She also provided dramaturgical support on The Nora’s production of Intimate Exchanges last season. She is excited to be back working with Central Square Theater in 2018!

Lisa Charlotte Berg (Properties Coordinator) is excited to be making her Central Square Theater debut. A native of Michigan, Ms. Berg graduated with a BFA from Wayne State University. She is currently the Props Master for the Boston Conservatory and Boston Lyric Opera. Other Boston credits include: A.R.T Institute, Odyssey Opera, Pegasus Early Music,  and Boston Midsummer Opera.

Grant Furgiuele (Sound Design) is a local audio engineer and sound designer, with credits including The Big Meal (Hovey Players), The Pillowman (Hovey Players), Coyote on a Fence (Hub Theatre Company of Boston), Echoes of Them (Emerson College), The Graduate (Arlington Friends of the Drama), Disgraced (The Umbrella), and An Education in Prudence (Open Theatre Project). In 2017, he was nominated for an EMACT DASH award for Best Sound Design for his work on The Pillowman. He is also a recording engineer and audio editor, with clients including Winchester High School Choirs, Calliope’s Call, and the Trinity Church Concert Series. Additionally, Grant is an experienced actor and musician and, when he’s not lit by the dim blue glow of computer monitors, can be found singing with the Metropolitan Chorale, Vox Futura of Futura Productions, and performing onstage throughout Boston.

Allison Schneider (Lighting Designer) is thrilled to be making her design debut with the Nora and Central Square Theater. Recent lighting design includes Einstein’s Dreams (MIT), The Shepherds’ Singularity (Come On Over Ensemble Theater), Witchhunt: The Beast Within (MIT), and A Measure of Normalcy (Gloucester Stage Company). She’s on the Student Advisory Council for the Catalyst Collaborative, an initiative at Central Square Theater to foster connections between the scientific and theatrical communities and tell diverse stories about science on stage, as well as a founding member of their writing group for science playwrights.

Tonasia Jones (Assistant Director) is excited to be working with Courtney O’Connor on her first production for The Nora.  She has worked at Huntington Theater Company (Producing Apprentice), Bad Habit Productions (General Manager), and The Theater Offensive (Program Admin).  Recent Directing Credits  include: Octavia & Kleopatra with Boston Podcast Players,  Boston’s One Minue Play Festival,  A Monogamy of Swans, How I Learned What I Learned with Huntington Theater (Assist.),  Saturday Night/Sunday  Morning Lyric Stage (Assist.). Upcoming Projects include: Pay No Worship in Flat Earth Theatre’s reading series “The Greenhouse Playlab: A Climate Change Theater Incubator”.  Tonasia has a BFA in Acting from Emerson College, and trained at Shakespeare Theatre Company D.C. She would like to thank Courtney O’Connor and the Cast & Crew for always striving to reach the core of this feminist play.  More information at TJones.MoonFruit.com