Alexander Platt* (Joe Pitt) Previous Roles at Central Square: Henry Bagley/Edward in Cloud 9; Ezra Chater in Arcadia; The Ballplayer in Insignificance. Other Theatres: Macbeth, Social Creatures, Hedwig and the Angry Inch, The Mourners Bench, Love Alone (Trinity Rep); Macbeth (Hanover Theatre Rep); Joy and Pandemic u/s (The Huntington); Assassins, Hedda Gabler, Far Away, Festen, Paul, Why Torture is Wrong…, Don Carlos (Gamm Theatre); Stage Kiss, Chinglish (Lyric Stage Company); Baskerville, True West (Gloucester Stage); Hamlet (Actors’ Shakespeare Project) Miss Holmes Returns, Miss Holmes, Neville’s Island, Dr. Jekyll and Mr. Hyde (Stoneham Theatre); Futurity (The Wilbury Group); The Forgetting Curve (Bridge Rep of Boston) The Etymology of Bird (Providence Black Rep); King Stag, Possible Worlds
(Elemental Theatre); Bad Money, Falling Up (Perishable Theatre); The Pathological Passion of the Christ (La Mama Etc.) Other: Alexander served as the Artistic Director of Elemental Theatre Collective in Providence, RI from 2006-2012 and has an MFA from Trinity Rep Conservatory.
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Han Nah Son is a South Korean born pianist who has won many prizes in international piano competitions around the world. She obtained her musical degrees from Rimsky Korsakov Pre-Conservatory in Russia, Hannover Musikhochschule in Germany, MM from Mahidol University in Thailand and DMA from Boston University, USA.
Han Nah Son has performed at municipal concerts in Russia, Germany, Italy, France, Thailand and the USA. She appeared as a guest pianist for National Public Radio WBUR On Point “Boston After the Bombings: A Public Conversation of Hope & Healing”. Affirming her interest in putting music in the service of others, she regularly visits the Hebrew Senior Life of Gloria Adelson Field Health Care Center. She is also determined to help and mentor young pupils in order to pursue their educational and professional dreams. She has given piano masterclasses at Tanglewood Institute of Boston University, as well as at Chiang Mai Music Festival in Thailand. She has taught at the College of Fine Arts, Boston University as Teaching Assistant in piano performance.
Her musical awards include 1st prize of Ingrid Martin Foerder Foundation, 2nd prize of Richmon Piano Competition, 3rd prize at the International Franz Liszt Piano Competition in Italy, special prize in the Rotary-Rotaract International Piano Competition in Spain, 1st Gold Prize at the ASEAN International Chopin Piano competition in Malaysia, 1st prize at the Thailand Beethoven Piano Competition and many others.
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Will Madden (Dragon King/Ensemble) is grateful to return to Central Square after performing in Arcadia last spring. Some past credits include Good (New Repertory Theatre), Cymbeline (Brown Box Theatre), The Love of the Nightingale (Hub Theatre), Julius Caesar (Bridge Repertory Theatre), and Macbeth, Of Mice and Men, and A Midsummer Night’s Dream (New Rep’s Classic Repertory Company). Will is a graduate from Boston University’s School of Theatre and studied for a spell at the London Academy of Music and Dramatic Art.
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Deniz Khateri (Queen, Ensemble) started her career as an actress and director in Tehran, Iran. Some of her recent productions since she moved to Boston in 2013 include Orestes by Euripides (actor-Mansfield Theatre 2015), Blind Owl (actor-BETC), Actor as Instrument by Gardzenice Company (workshop production by Iran & Poland-2015), Dinner with the Devil ( director- Berklee College of Music-2015), Zahhak: A Play from the Persian Book of Kings (actor-BETC 2015), The Apartment (playwright/director-BETC 2015), The Triangle (actor- Theatre Kapow 2014), Frankenstein (actor-Footlight Club’s 2014), The First King: A Play from the Persian book of Kings (actor-BETC 2014), Red-Breasted swallows in Blueberry Land (playwright/director-Boston Playwrights Theatre and MIT 2014). Ms. Khateri also teaches workshops on “Theatre and creativity for daily life“. She is more than honored to be a part of Arabian Nights.
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Laura Latreille most recently has appeared in Sweet And Sad (Gloucester Stage) and That Hopey Changey Thing (Stoneham Theatre) and in Dear Elizabeth (Lyric Stage Company of Boston). Other Stoneham Theatre credits include Of Mice and Men and The Unbleached American. Off-Broadway: Love Song (59E59 Theaters) and The Elephant Play (Playwrights’ Collective). Regional: Ryan Landry’s M and Mauritius (Huntington Theatre Company), God Of Carnage and Four Places (Merrimack Repertory Theatre), Time Stands Still (performance named Best Of Boston for 2012 by the Improper Bostonian) and The Understudy (Lyric Stage Company of Boston), Fat Pig and The Shape Of Things (Elliot Norton—Outstanding Actress Award) (SpeakEasy Stage Company), The Sussman Variations and The Glider (Boston Playwrights’ Theatre), The Blowin Of Baile Gall (Martha’s Vineyard Playhouse), Signs Of Trouble and Shel Shocked (Market Theatre), Bash and Sin (Coyote Theatre), and most recently the world premieres of The Trials of Gertrude Moody and Utility Monster with Wellfleet Harbor Actors Theater. Laura has also participated in creating new works with the Denver Center Theatre Company, New Dramatists, and Women’s Project and Productions. Education: M.F.A. Brandeis University. Other: Laura is currently a faculty member at Bridgewater State University.
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