Jon Savage+ (Scenic Designer) (he/him) is happy to be returning to Front Porch Arts Collective, Greater Boston Stage and Central Square Theatre. Jon last collaborated with Front Porch and Central Square Theatre on The Black Odyssey Boston. He designed Sweet Charity, Lucky Stiff and Miracle on 34th Street at Greater Boston Stage and A Disappearing Number with Central Square Theatre. Other area credits include Much Ado About Nothing, MacBeth and Equivocation with Actor’s Shakespeare Co. Reparations, To Kill a Mockingbird, True West, and The Bank Job for Gloucester Stage Company. Imagining Madoff, Broken Glass, Cardboard Piano at New Repertory Theatre. Old Money, Comedy of Errors (Elliot Norton Award Winner for best design), and All’s Well that Ends Well (Elliot Norton award for best production) for Commonwealth Shakespeare Company. Laughing Wild and Ryan Landry’s M for Huntington Theatre Company. Regional design work includes State Fair at The Walnut Street Theatre, Philadelphia, PA; Fiddler on the Roof and King of the Jews at The Olney Theatre Center, DC; Raisin in the Sun and Clybourne Park at The Old Lyric Theatre Company, Logan, UT. Jon was also the Associate Scenic Designer for the Broadway production of Hot Feet. Jon is currently serving on faculty within the Design, Production and Management programs at Boston University. He is a member of United Scenic Artists.
+Member of United Scenic Artists.
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Jacob Athyal (Humayun) is a Boston-based actor from the state of Kerala in South India. He is excited to be back at Central Square Theater after A Disappearing Number. His recent credits include The Elaborate Entrance of Chad Deity (Perseverance Theater, Alaska), A Midsummer Night’s Dream (Actors’ Shakespeare Project), Luna Gale (Stoneham Theatre Co.), Red Hot Patriot (Lyric Stage Co.), Shockheaded Peter and The Elaborate Entrance of Chad Deity (Company One), Mrs. Packard and Julius Caesar (Bridge Rep of Boston), The Hobbit (Wheelock Family Theatre), The Draft (Hibernian Hall), Incident in Vichy (Praxis Stage), Sh*tfaced Shakespeare (Magnificent Bastards Production), The Reindeer Monologues (Happy Medium Theatre). Special thanks to Rajiv and Gabriel for this opportunity and Harsh for being such a great friend.
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Harsh J. Gagoomal (Babur) is so grateful and excited to be returning to Central Square Theater, where he has previously performed as a river monster (Journey to the West), a landscape architect (Arcadia), and a physicist specializing in string theory (A Disappearing Number). Other acting credits include An Octoroon (Company One/ArtsEmerson) and The Elaborate Entrance of Chad Deity (Red Theater Chicago). Harsh received his BA in Theatre Studies from Emerson College as well as invaluable lessons from Green Shirt Studio in Chicago. Performing aside, he has dedicated his time to working with the homeless via various classes and workshops. Harsh would like to thank the entire team for their dedication and extend particular gratitude to Debra and Gabriel for their trust. Lots of love to his dear sisters, mom and dad, family and friends from far and wide, Boomerang and, of course, his bhai, Jake. Beauty shall live.
March 2018.
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Paul Melendy (William Dobbin, Miss Pinkerton, Rose Crawley, Gentleman 1, Servants 2 & 3) Central Square Theater: A Disappearing Number; Paul is elated to be reunited with not only Underground Railway Theater, but with director David Gammons as well – seen last with the former in 2014, and the latter in 2007’s Titus Andronicus. Recent New England stage performances include The Wickhams: Christmas at Pemberley (Merrimack Repertory Theater), the title role in Noir Hamlet (Centastage), of which he enjoyed a successful Scottish run of at the Edinburgh Fringe Festival this past August, tackling a Clown in Gloucester Stage Company’s The 39 Steps, playing as Narrator for Peter and the Wolf with the Boston Youth Symphony Orchestra (Symphony Hall), and taking on Patrolman Mancuso in A Confederacy of Dunces starring Nick Offerman (Huntington Theatre Company). Paul is a regular onstage in Boston’s ongoing Shear Madness as Tony at the Charles Playhouse and is remembered on local television screens in a popular Bernie and Phyl’s ad as The Naked Guy. In addition to Vanity Fair this season, he can also be seen in 2020 in Merrimack’s upcoming The Lowell Offering, in Greater Boston Stage Company’s Miss Holmes Returns, and on the silver screen with Love, Weddings & Other Disasters, starring Jeremy Irons and Diane Keaton. Other film credits include Father of the Year, Unfinished Business, The Pink Panther Deux, and The Makeover. For even MORE info on Paul, here’s his website: PaulMelendy.com. Thank you for your gracious attendance!
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David Wilson (Sound Design) returns to the Central Square Theater having previously designed Emilé La Marquise du Châtelet Defends Her Life Tonight. He has designed lighting or sound for over 350 productions of opera, theater, concert and dance. He served on the faculty of Brandeis University for over 25 years teaching lighting and sound design; and developed and led the graduate program in sound design. He has designed and taught at Boston College, Boston Conservatory of Music, Bowdoin, Emerson, Harvard, New England Conservatory, Tufts, Suffolk and UMASS-Lowell. Regional credits include Actors’ Shakespeare Project, Boston Playwrights, Central City Opera, Company One, Deborah Abel Dance, Dibble Dance, Gloucester Stage, Lyric Stage, Merrimack Rep, Moonbox, New Rep, Nora, North Shore Music Theater, Reagle Music Theater, Speakeasy, Stoneham, Shakespeare and Co, WHAT and Wheelock Family Theater. He has received multiple nominations and awards for his work, most recently the Elliot Norton Award for ASP’s Edward II. DW-Design.com
October 2018.
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