Les Dickert Broadway: Wrong Mountain (Associate), High Society (Assistant). Off-Broadway: Atlantic Theater, Rattlestick Theater, Ensemble Studio Theater, Theater Row, others. Regional: Adirondacks and Great Lakes Theater Festivals, Geva Theater, Idaho Shakespeare, Perseverance Theater, Syracuse Stage, Triad Stage, and many with Shakespeare & Company including As You Like It, Romeo & Juliet, Enchanted April, Hamlet, The Merry Wives of Windsor, Rough Crossing, A Midsummer Night’s Dream, Blue/Orange, Antony and Cleopatra, Ladies Man, All’s Well That Ends Well, Othello, Twelfth Night, Richard III, The Winter’s Tale, Women of Will. Dance: White Oak Dance Project, San Francisco Ballet, Tulsa Ballet, Joffrey Ballet, Yvonne Rainer, Lucinda Childs, Jacob’s Pillow. International: La Scala (Milan), Bayeriches Staatsballet (Munich), and the National Ballets of England, Denmark, Australia, Belgium, Canada, and Russia. Graduate of the Yale School of Drama.
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Govane Lohbauer just happily completed her thirtieth season with Shakespeare & Company in Lenox, MA where she is the Costume Director. Selected favorite S&Co. credits: The Hound of the Baskervilles, Red Hot Patriot…Molly Ivins, The Taster, Mengelberg and Mahler, Twelfth Night, Les Liaisons Dangereuses, Shirley Valentine, Golda’s Balcony, The Ladies Man, Rough Crossing, Enchanted April, Martha Mitchell Calling, Ice Glen, Lettice and Lovage, Collected Stories, Ethan Frome, Macbeth, An International Episode, Glimpses of the Moon, Summer, Wit, and House of Mirth. Regional theater and opera credits include: Arabian Nights, Red Noses, Picasso at the Lapin Agile, Metamorphosis, The Marriage of Bette and Boo, Alice in Wonderland, A Christmas Carol, Once Upon A Mattress, Top Girls, H.M.S. Pinafore, Gianni Schicci, Carousel, The Merry Widow, La Finta Giardiniera. As Adjunct Faculty/Designer, Bard College at Simon’s Rock: Cloud Nine, Our Country’s Good, Suddenly Last Summer. She lives with her actor husband, Bob Lohbauer, in Lee, MA and loves the time they spend with their 9 grandchildren.
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Patrick Brennan has been the properties designer for eight seasons at Shakespeare & Company, most recently during 2011-2012. This season at S&Co he has designed or is currently designing five sets in the Bernstein Theater.
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Eric Tucker1, he/him/his (Director) Wall Street Journal DIRECTOR OF THE YEAR 2014/2021. “America’s Best Classical Theatre Director” WSJ. Off-Broadway: Music City; The Assassination of Julius Caesar; Arcadia; Fall River Fishing; The Winter’s Tale; Hedda Gabler; Persuasion; The Crucible; Uncle Romeo Vanya Juliet; Pygmalion; Peter Pan; Vanity Fair; Bedlam’s Sense and Sensibility (Off-Broadway Alliance Award, Lortel nom, Best Director, Drama League nom, Best Revival, 4 Helen Hayes awards including Best Director and Best Production); A Midsummer Night’s Dream (Drama League nom Best Revival, WSJ Best Classical Production 2015); Bedlam’s Saint Joan (NY Times/Time Magazine top 10; Off-Broadway Alliance Best Revival 2014); Bedlam’s Hamlet (NY Times top 10); Tina Packer’s Women of Will; New York Animals (World Premiere by Steven Sater/Burt Bacharach), Twelfth Night and What You Will (NYT Critic’s Picks); The Seagull (WSJ Best Classical Production 2014). Other: Richard II, Henry IV parts 1 & 2 (Workshop Production, TFANA); Angels in America: Parts 1 & 2 (Bedlam/Boston Nominated for 10 Elliot Norton Awards including Outstanding Production and Outstanding Director) Caesar and Cleopatra (ASC); The Rivals (BRT); The Merry Wives of Windsor (Two River), Disney’s Beauty & The Beast (OSF); Pericles (APT, WSJ Best Classical Production 2017); Copenhagen (Central Square Theatre), The Two Gentlemen of Verona (HVSF), Mate (The Actors’ Gang). Eric resides in New York City where he is Artistic Director of Bedlam.
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William Shakespeare was an English poet and playwright (1564-1616) widely regarded as the greatest writer in the English language and the world’s pre-eminent dramatist. His surviving works, including some collaborations, consist of 37 plays, 154 sonnets, two long narrative poems, and several additional poems. His plays have been translated into every major language and are performed more often than those of any other playwright.
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