Tasia A. Jones (Director) she/her, is a professional director, performer, and educator focused on socially and civically engaged theater practices. She is also Co-Chair of Performance and an Assistant Professor of Theatre at Boston University’s School of Theatre. Her most recent directing credits include Crumbs from the Table of Joy (Lyric Stage Company). Stokely: The Unfinished Revolution (Court Theatre), 1919 (Steppenwolf Theatre Company), A Raisin in the Sun (American Players Theatre), Intimate Apparel (Northlight Theatre), Intimate Apparel (Utah Shakespeare Festival), Small Mouth Sounds (UCCS Theatreworks).
Tasia has appeared in such works as Saturday Night/Sunday Morning (The Lyric Stage Company), Good Television (Zeitgeist Stage Company), and The Bluest Eye (Company One). She holds a BFA in Theatre Arts from Boston University and an MFA in Directing from Northwestern University. tasiaajones.com
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Elisheba Ittoop is thrilled to be making her Central Square Theater design debut. In the Washington area, her designs and original music have been heard at The Kennedy Center, Woolly Mammoth, Folger Theatre, National Gallery of Art, Theatre J, Roundhouse Theatre, and Studio Theatre. Regional credits also include Chautauqua Theater Company, Alliance Theatre, Virginia Stage Company, Children’s Theatre of Charlotte, and the Center for Puppetry Arts. Elisheba was a resident sound designer at the Eugene O’Neill Theater Center for the 2010 and 2011 National Playwrights Conferences, recipient of the Kenan Fellowship at the John F. Kennedy Center for the Performing Arts, and winner of the 2008 USITT Rising Star Award. Elisheba earned her MFA at North Carolina School of the Arts. www.elishebaittoop.com.
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David Roy designs lights for theater, opera, and corporate events. NY Theater credits: Tube, Homo: The Musical, Gonna See A Movie Called Gunga Din, Nostradamus Predicts the Death of Soho, The Near(ness), Nightmare. Regional: Harriet Jacobs (Central Square Theater); The Brother Sister Plays, 1001 (Company 1); Elixir of Love (BMC); Red, Paul (The GAMM). David is an associate designer with IMCD and a member of United Scenic Artists.
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Michael Dates is a costume, wig, and makeup designer residing in Providence, RI. Recent work includes wig designer and stylist for the Theatre By the Sea’s 2012 Season (Sound Of Music, 9 to 5, How to $ucceed…); Way of the World – wig design and stylist (Boston Conservatory); Miracle Worker – wig stylist (Rhode Island College); 44 Plays for 44 Presidents – costume design (Elemental Theatre Collective); Hairspray – wig design and stylist (LaSalle Academy); Hedwig and the Angry Inch – costume, wig, and makeup design (Trinity/Perishable). This is his first show with Central Square Theater.
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Susan Zeeman Rogers URT: Car Talk: The Musical!!!, Harriet Jacob, Fever Chart. Other Boston and Regional: Trinity Rep, Shakespeare and Company, Two River Theatre Company, Actors’ Shakespeare Project, SpeakEasy Stage Company (2010 Elliot Norton Award for Adding Machine: A Musical) Opera Boston (critically acclaimed Nixon in China and Best Set Design, Opera Online for The Pearl Fishers) Curtis Opera, Merrimack Repertory Theatre, Commonwealth Shakespeare Co., ART Institute, Contemporary American Theatre Co., and Moscow Art Theatre School. New York: For Ripe Time: Septimus and Clarissa (2012 Drama League Nomination for Distinguished Production,) the critically acclaimed Innocents, Betrothed, and Fire Throws. Off-Broadway: New Georges, Red Bull Theater, Mint Theater (Best Design, First Irish Festival for Is Life Worth Living) Susan Marshall and Co., MCC Theatre, Flea Theatre, Summer Play Festival, and Mabou Mines Artists Residency. Upcoming work includes Sylvan Wood, a site specific memory play at Peoples Light and Theatre Company/Longwood Gardens, co-created with Rachel Dickstein, Fall 2013. NEA/TCG CDP, www.szrdesign.com.
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