David Remedios+ (Sound Designer) has previously designed sound at CST for The Other Place, Distracted, Car Talk: The Musical!!!, and Not Enough Air. Recent credits include: A Christmas Carol (Northern Stage, VT); We Had a Girl Before You (Greater Boston Stage Co.); Tall Tales from Blackburn Tavern (Gloucester Stage); Macbeth (Commonwealth Shakespeare Co.); and the world premieres of José Rivera’s Your Name Means Dream and Chisa Hutchinson’s Redeemed (Contemporary American Theater Festival, WV). Other regional credits include productions for Arizona Theatre Company, Everyman Theatre, Huntington Theatre Company, Portland Stage, City Theatre Company, Alley Theatre, Trinity Rep, Geva, The Studio Theatre, Theatre for a New Audience, and American Repertory Theatre, among many others. International: productions at prominent arts festivals in Bogotá, Paris, Hong Kong, and Edinburgh. David is Program Head of Sound Design at Boston University’s School of Theatre, and he is a proud member of United Scenic Artists Local USA 829. remediossound.com.
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Chris Brusberg is happy to be designing his first show at Central Square Theater. Select area credits include Master Class, Three Viewings, DollHouse, Frankie and Johnny in the Clair de Lune (New Rep); The Third Story (Titanic Theater Company); Carmen and Cosi Fan Tutte (Boston Midsummer Opera); Monster, I Am My Own Wife (Boston Center for American Performance); Dead Man Walking, A Little Night Music (Boston Opera Collaborative); Curtains (Boston Conservatory); and Richard III (Northeastern University). Mr. Brusberg earned his BFA in lighting design from Boston University and currently lives in Somerville, MA.
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Bridget Kathleen O’Leary is thrilled to be working with The Nora and Underground Railway Theater. Most recently, she has directed New Repertory Theatre’s productions of Lungs, Fully Committed, Collected Stories, DollHouse, boom, and Fool for Love. Other credits: Rosencrantz and Guildenstern are Dead, Summer Festival Theatre; Recent Tragic Events and Aunt Dan and Lemon, Whistler in the Dark; The Devil’s Teacup, Boston Playwrights’ Theatre. Before moving to Boston, Bridget worked in Washington, D.C. with the Olney Theatre Center, Theater Alliance, Cherry Red Productions, Charter Theater, Studio Theatre Second Stage and Phoenix Theatre DC. Bridget received her MFA in directing at Boston University.
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Sharr White Mr. White’s plays have been developed or produced at theaters across the country, including MCC Theatre, South Coast Repertory, Actors Theatre of Louisville, Oregon Shakespeare Festival, Marin Theatre Company, Lincoln Center Theater’s Directors Lab, Key West Theatre Festival, and more. He has been honored with a Dr. Henry and Lillian Nesburn Award as part of the Julie Harris Award in Playwriting (The Escape Velocity Of Savages); a New York Foundation for the Arts Fellowship (Six Years); and the 2009 Skye Cooper New American Play Prize (Sunlight). The Other Place received the 2010 Playwrights First Award and the 2011 Blanche and Irving Laurie Foundation’s Theatre Visions Fund Award, and was an Outer Critics Circle award nominee for Outstanding New Off-Broadway Play.
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