Catherine Alam-Nist (Assistant Director) is a director, designer and researcher based in whichever institutional library she is currently haunting (at the moment, Harvard’s Widener). Her academic work looks at the relationship between German-Jewish philosophy and dramatic aesthetic/theory; as a director, she is most interested in stories that centre religion and/or women, as well as in stylistic approaches that allow for interdisciplinary experimentation and blurring of the performer/audience binary. Current influences include Martin Buber, the book of Job, PJ Harvey, and KillMonday’s 2015 immersive psychological horror video game Fran Bow. She wants to heartily thank Lee for being the badass female director a 23-year-old baby female director really needs to see, and she hopes everyone has fun watching three women being very silly (very skillfully) for two and a half hours!

Pat-rice Rooney*, she/her ( Production Stage Manager) Regional: Stew, Grand Horizons (Gloucester Stage Company); Lyric Back Stage,The Book of Will (Lyric Stage Company); As You Like It (Actors’ Shakespeare Project); Matilda (Wheelock Family Theatre); Torch Song, The Good Deli, Rocky Horror Show (Moonbox Productions). Education: BFA in Stage Management 2020.

Liz Diamond* they/them (Stage Manager) Liz is delighted to be returning to work with Central Square Theater. They previously ASM’d The Rocky Horror Show here, and have since SM’d on The Interrobangers with Company One, Let’s Misbehave with Pansy Productions, and both Mermaid Hour and The Thanksgiving Play with Moonbox Productions. They are a Boston-based artist who prioritizes queer, trans, and multicultural theater, and a Free Palestine.

Anna Drummond, they/them (Sound Designer) Anna Drummond is a Boston-based sound designer specializing in live theatre and SFX curation, working for professional theatre companies and educational institutions, thrilled to be making their CST debut! Previous Sound Design Credits: Front Porch Arts Collective – Chicken & Biscuits; The Huntington – K-I-S-S-I-N-G (Elliot Norton Award) and Dream Boston: 3 Miles; SpeakEasy Stage – BLKS and Pass Over; Company One (C1) – Leftovers, Black Super Hero Magic Mama, and can i touch it?; Fresh Ink Theatre – Shrike and Truth or Consequences; Trinity Repertory Company/Brown University – Eurydice, Prowess, soul tapes, and The Book of Lucy; Harvard University – Married or Made; Boston Conservatory at Berklee – Everybody, Machinal, and As You Like It; Northeastern University – Deferred, This Is Treatment, Problem Play, and Sisterhood of the Survivors; Emerson College – Paris. Anna holds a BA with Honors in Sound Design/Audio Post-Production from the Visual & Media Arts Department of Emerson College.

Finn Bamber, he/him (Lighting Designer) is a Boston based lighting designer and photographer. Recent projects include Salomé at Preludes festival, Chatham House Rules at Edinburgh Fringe (Pleasance), Deadclass, Ohio at the New Ohio theater’s Ice Factory festival, House of Ramon Iglesia with Moonbox Productions, and Weight/Wait with Ilya Vidrin and North Atlantic Ballet Company. This is his first show with Central Square Theater. He is a member of The Goat Exchange, an international theater ensemble. FINNBAMBER.COM