Kayleigh Kane is a Boston-based intimacy professional and multi-disciplinary artist working in theater and film around New England, New York, and beyond. Select recent Intimacy Direction credits include Summer Stock (Goodspeed Musicals), Torch Song (Moonbox Productions), Dracula: a feminist revenge fantasy, really and Rent (Umbrella Stage Company), and The Moors (Entropy Theatre). She has provided intimacy support and education at higher education institutions, including Harvard University, Tufts University, Brandeis University, and more. Kayleigh also works frequently with improv theaters and experimental ensembles, implementing intimacy tools and safety protocols for consent-based improvised contact and physical play. She holds a certification in Intimacy Direction from IDC. In everything she does, Kayleigh is a joyful believer in pushing the boundaries of the artform while supporting the boundaries of the artists. Learn more at kayleighkane.com.

Ana Muñoz* (they/them) is thrilled to work with Central Square Theater for the first time. Ana is a theatre artist who especially enjoys working on Queer and Latine-centric stories, and they’re a proud member of Actor’s Equity Association. Previous credits include work at the Alabama Shakespeare Festival (AL), Hippodrome State Theatre (FL), Cleveland Playhouse (OH), TheatreSquared (AR), and Trans Theatre Fest Madison (WI). Early career stage managers, let’s connect! IG: @anacammunoz. For my fiancé, Mars, the most fabulous creature I know.

Athéna-Gwendolyn Baptiste*, (Assistant Stage Manager) They|Them|Theirs is a Trinidadian-American musician, actor, and stage manager in Greater Boston. Some stage management credits include: Breath and Imagination, The Cake (Lyric Stage Company of Boston), Angels in America: Millennium Approaches, Next to Normal (Central Square Theater), Diaspora, A Raisin in the Sun, The Normal Heart (New Repertory Theatre), King Hedley II (Actor Shakespeare Project) The Banned Ballet, Tales from the Crips (Abilities Dance Boston). Some performance credits: Madame White Snake (Opera Boston), Midwinter Revels: Feast of Fools (Angel, Chorus, Dancer) The Selkie Girl and the Seal Woman (Selkie, Chorus, Dancer).

Caitlin Morley, she/her/hers (Assistant Director) is a director currently based in Boston. Her work centers around youth, queer, and femme perspectives. She has previously directed Dry Land by Ruby Rae-Spiegel(Tufts University) and Romeo and Juliet (Tufts University). She holds a B.A. from Tufts University for Theater, Dance, and Performance Studies and Education. She would like to thank Eric Tucker and Lee Mikeska Gardner for this wonderful  opportunity!

Joe Juknievich, he/him/his (Assistant Director) is a theater director and arts administrator based in the Greater Boston Area. He recently completed an MFA in Interdisciplinary Arts: through Point Park University. Recent directing credits include: [title of show] (Firehouse Center for the Arts), The Skriker (Entropy Theatre, Co-Director), and The Moors (Entropy Theatre). In addition to his work as a director and student, he works as the Operations and Special Projects Associate for The Dance Complex in Cambridge, MA.
JoeJuknievich.com.