Jasmine M. Rush
Jasmine M. Rush* (she/her), is a Brooklyn-based Black actor, director, and writer born and raised in Milwaukee, WI. Classically trained, she has worked nationally on stage, film, and television. Off-Broadway credits: As Much as I Can (Joe’s Pub and The Public Theater). Regional (select): The Amen Corner (upcoming) (Shakespeare Theatre Company); School Girls; Or, the African Mean Girls Play (TheatreSquared); [keyp-ing] (New Repertory Theatre); Intimate Apparel (Sierra Rep Theatre); Barbecue and Saturday Night/Sunday Morning (Lyric Stage Company of Boston); Mud (Philip Glass Days and Nights Festival). TV: Bull, Blue Bloods, The Sinner, Difficult People. Company ,ember, Quick Silver Theater Company, NYC. She holds a BA in theatre arts from the University of Minnesota/Twin Cities and earned her MFA in classical acting from the Shakespeare Theatre Company’s Academy of Classical Acting at George Washington University. eare Theatre Company’s Academy of Classical Acting at George Washington University. Proud member of SAG-AFTRA and Actor’s Equity Association. JasmineMRush.com, @jasmineMrush
*Member of Actors Equity Association.
Updated September 2021.
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Michael Cassara, CSA (he/him), Casting Director is pleased to return to the Hangar where he has cast the last 5 seasons of mainstage shows. Recent credits include Mr. Holland’s Opus (dir. BD Wong/upcoming), An American In Paris (international tour, dir. Christopher Wheeldon), The Mad Ones (Prospect Theater Company, dir. Stephen Brackett), Spamilton (NYC/Chicago/Pittsburgh CLO/tour), Gigantic (Vineyard Theatre, dir. Scott Schwartz), Enter Laughing (York Theatre), Forbidden Broadway (last three editions/cast albums), The 12 (Denver Center/world premiere). Regional credits include productions for Gulfshore Playhouse, Asolo Rep, Actors Theatre of Louisville, Ogunquit Playhouse, and many others. Resident Casting Director for the National Alliance for Musical Theatre (NAMT) since 2013, and previously for the New York Musical Festival (NYMF) from 2007-2019. Native Clevelander, member of the Casting Society of America. BFA, Otterbein University. MichaelCassara.net / @michaelcassara
As of August 2021
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Adi Cabral (they/them), Accent and Dialect Consultant, has provided coaching for the Arvada Center for the Arts and Humanities (CO), the Repertory Theatre of St. Louis (MO), New Repertory Theatre (MA), the Stella Adler Studio of Acting (NY), Mildred’s Umbrella Theatre Company (TX), and The New Hazlett Theater (PA). They are a certified teacher of Knight-Thompson Speechwork and Fitzmaurice Voicework. Adi currently serves as Assistant Professor of Voice and Movement at the University of Nevada, Reno. For more information, please visit Adriano-cabral.com.
As of August 2021
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Greg Smith (he/him), is a Grammy- nominated composer and sound designer. He has scored numerous feature films and contributed music to dozens of network tv shows. Additionally, he has worked extensively in television advertising, providing music and sound design for MTV, ESPN, Disney, A&E and a host of other networks and consumer brands. Most recently, Greg provided sound design and composed all the music heard throughout the Greenwood Rising museum being built in Tulsa, Oklahoma to commemorate the 1921 Tulsa (Black Wall Street) Massacre.
As of August 2021
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Lauren J. Burke* (Stage Manager) is thrilled to be working on her 3rd Ufot Family play. Central Square Theatre: Queens Girl in The World, Pipeline, Les Liaisons Dangereuses. Regional: The Huntington, American Repertory Theatre, Boston Baroque, North Shore Music Theatre, Plays in Place, SpeakEasy Stage, Revels, Central Square, Lyric Stage, Hangar Theatre, WAM, Actors’ Shakespeare Project, Reagle Music Theatre, Poets’ Theatre, Israeli Stage, Boston Ballet, Boston Opera Collaborative. University: Brandeis University, Boston University, Harvard University, Suffolk University. Education: BA from Suffolk University. Lauren is a member of Actor’s Equity Association.
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