Davron S. Monroe

Davron S. Monroe is a Boston based award winning singer and actor with vocal talents that run the gamut from Opera to Musical Theatre, gospel to jazz and everything else in between. Davron is the 2019 recipient of The Elliot Norton Award for Outstanding Musical performance in Breath and Imagination the story of Roland Hayes, African-American classic concert artist (who was also a Boston based artist in the later years of his life). Other performances of note include Murder on the Orient Express, The Wiz, Camelot, Company, My Fair Lady, City of Angels, Sweeney Todd, One Man, Two Guvnors, The Mikado, Avenue Q, and Ain’t Misbehavin’ (Lyric Stage Co.), The View Upstairs (Speakeasy Stage) The Little Mermaid, RAGTIME (Company Theatre), Man of La Mancha (New Rep), Caroline or Change, Godspell (Moonbox Productions), Hairspray (Reagle Music Theatre), Dreamgirls, Jesus Christ Superstar, Children of Eden, Songs for a New World (premiere, Key West Symphony, Broadway Across America), Smokey Joe’s Café, Cinderella, Streakin’!, a ’70s musical revue, and Sweet Charity. Davron has also appeared with many orchestral and vocal organizations, such as Boston Landmarks Orchestra (Lost in the Stars – a celebration of the 50th Anniversary of the “I Have a Dream” speech, and The Chariot Jubilee), Brevard Music Center, Finalist in the Orlando Opera’s Heinz Rehfuss Singing Actor Awards, Disney Entertainment’s Voices of Liberty, South Florida Symphony, Houston Ebony Opera Guild, the New England Spiritual Ensemble and many other organizations throughout the greater Boston area. Davron was the first recipient of the Bob Jolly Award for local actors. Future engagements include Jelly’s Last Jam- Story of Jelly Roll Morton African-American Jazz pioneer and 25th Annual Putnam County Spelling Bee, Both with New Repertory Theatre Company 2021.

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Sherée Marcelle

Sherée Marcelle, she/her (Diana) is thrilled to be making her return to CST, having previously appeared in the Elliot Norton Award-winning production of Ain’t Misbehavin’ (Company) in 2022.  Hailing from Lynn, MA, Sherée began her journey with the Front Porch in 2020 through her autobiographical cabaret titled “Passing By | Moving Forward” about passing for white as a biracial woman. Most recently, she has garnered acclaim for her role as co-producer and star of seasonal artist tribute performances at the Post Office Cabaret, Provincetown, MA: “Whitney!” a musical tribute to the late Whitney Houston (2021); The Music of Adele (2022); and A Tribute to P!nk (2023); with her next effort Shereefer Madness opening in the summer of 2024. A special thank you to every human (friend, family, teacher, colleague) who has shown her support over the years – it’s meant the world! www.shereemarcelle.com

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Sarah Shin

Sarah Shin (Director) she/her, is a Korean American director and theatre artist originally from the small town of Schwenksville, Pennsylvania. Recent Directing Credits: The Sweet Science of Bruising (Boston University), Wolf Play (Brandeis University), H*LL HATH TURNED OVER. F*CK (Makers’ Ensemble), The Chinese Lady (Central Square Theater, Greater Boston Premiere, Boston Globe Top 10 of 2022 Pick, 5 Elliot Norton Award Nominations), The Sitayana (or “How to Make An Exit”) (The Tank, NY Premiere). Associate/Assistant Credits: EMPIRE RECORDS (McCarter Theatre Center), Sweeney Todd: The Demon Barber of Fleet Street (Broadway, SDC Observer), The Wanderers (Roundabout Theatre Company), Much Ado About Nothing (Shakespeare & Company), The Gift Project Documentary Series (All For One Theater, Zanni Productions/PBS All Arts), The (Diana) Oh Family Concert (Zanni Productions/PBS All Arts), Endlings (NYTW), Moby Dick (ART), Twelfth Night (Catskill Mountain Shakespeare), and MY H8 Letter 2 The Gr8 American Theatre (Ma-Yi/The Public Theater). Select performing credits include: Endlings (Hedgerow Theatre), OriGen Story (Clubbed Thumb, Pan Asian Rep, LaMama), The Tempest (Catskill Mountain Shakespeare), Specially Processed American Me (Ping Chong & Co.), Sea Longing (The Parsnip Ship). Her work has been supported by the Public Theater/Brooklyn College Residency, NYC Women’s Fund for Media, Music, and Theatre, The Boston Foundation, NEFA Public Art for Spatial Justice Grant, and Asian American Arts Alliance WWYD Grant. Co-Founding Producing Director of Queer Asian Babes and Asian American Theatre Artists of Boston, Roundabout Directors Group Cohort 4 Member, Ma-Yi Writer’s Lab 2024-2025 Resident Director, A4 Virtual Resident Artist (2020-2021), New York Stage and Film 2025 Pfaelzer Award Recipient, and SDC Associate Member! Upcoming Projects: The Supreme Leader (Mile Square Theater), The Chinese Lady (Stages Houston). BFA Theatre Arts Boston University www.sarah-shin.com IG: @shinnysarah

 

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Sophronia VowelsSophronia Vowels

Sophronia Vowels

Sophronia Vowels grew up in small-town Iowa but have always been a city-girl at heart. Her nose leads her all over the world, sniffing out different foods and new experiences. While the perfect at-home latte evades her, endless trials persist. Writing poetry and dancing alone in her room brings her immense joy. She leads her life with curiosity, openness, and transparency, values she believes are essential to all creative endeavors.

Artistic Statement
Theatre wields the immense power of shaping audiences’ relations to other people and perspectives on society. Other mediums can educate and present meaningful narratives, but theatre enkindles compassion for other humans through a shared, inherently emotional experience. As an artist, one propagates radical inclusivity through bolstering marginalized voices and continually expanding on one’s knowledge. Artists create the possibility for lives to be shifted, an incredible potential one must explore with playfulness; boldness; and most of all, an open heart.

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Michael RosegrantMichael Rosegrant

Micah Rosegrant

Michael A. Rosegrant (they/them) is a poet descending from Philippine islands and “American” farmlands who resides on ancestral land of the Massachusett. They sing for their ancestors—blood and otherwise—who could not. Currently, they’re unlearning fear of their own rage to center presence, magic, and history in their work of locally dismantling oppression. They create/share art in communities including Arts Connect International, BCYF Grove Hall Senior Center, Pao Arts Center, American Repertory Theatre, UMass Boston, and Boston University. michaelrosegrant.com & @michael_arose on IG/Twitter.

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