Allison Schneider (Lighting Designer) is thrilled to be making her design debut with the Nora and Central Square Theater. Recent lighting design includes Einstein’s Dreams (MIT), The Shepherds’ Singularity (Come On Over Ensemble Theater), Witchhunt: The Beast Within (MIT), and A Measure of Normalcy (Gloucester Stage Company). She’s on the Student Advisory Council for the Catalyst Collaborative, an initiative at Central Square Theater to foster connections between the scientific and theatrical communities and tell diverse stories about science on stage, as well as a founding member of their writing group for science playwrights.

Tonasia Jones (Assistant Director) is excited to be working with Courtney O’Connor on her first production for The Nora.  She has worked at Huntington Theater Company (Producing Apprentice), Bad Habit Productions (General Manager), and The Theater Offensive (Program Admin).  Recent Directing Credits  include: Octavia & Kleopatra with Boston Podcast Players,  Boston’s One Minue Play Festival,  A Monogamy of Swans, How I Learned What I Learned with Huntington Theater (Assist.),  Saturday Night/Sunday  Morning Lyric Stage (Assist.). Upcoming Projects include: Pay No Worship in Flat Earth Theatre’s reading series “The Greenhouse Playlab: A Climate Change Theater Incubator”.  Tonasia has a BFA in Acting from Emerson College, and trained at Shakespeare Theatre Company D.C. She would like to thank Courtney O’Connor and the Cast & Crew for always striving to reach the core of this feminist play.  More information at TJones.MoonFruit.com

Elizabeth Cahill (Sound Designer) Sound Design credits include Men on Boats (SpeakEasy Stage Company), Alligator Road (Greater Boston Stage Company), Camelot, Warrior Class (Lyric Stage), Hamlet (Brownbox Theatre Project), The Fear Project (Open Theatre Project), Sister Anonymous (Second Act Productions), Time Stands Still (Wellfleet Harbor Actors Theatre).  Other credits include Stage Kiss (Asst. Sound Designer, Lyric Stage), Waitress (Sound Intern, American Repertory Theatre). Emerson College BFA Theatre Design/Technology ‘17. Select Emerson Stage Sound Design credits include Caucasian Chalk Circle, Mrs. Warren’s Profession, Guys and Dolls, Richard III, Edward Tulane, The Spitfire Grill. elizabethsound.com

Demacy Kincaid (Assistant Stage Manager) is a May 2017 graduate of Western Carolina University with a Bachelor of Arts degree in Stage and Screen. She recently made the move from Western North Carolina to Central Massachusetts this year. Her focus is in Stage Management and her recent credits include Gypsy The Musical, Resident Alien: A New Musical and King Lear. Demacy would like to thank the ones closest to her for all their love, support and guidance throughout this life-changing journey. She is extremely honored to be apart of the Central Square family.

As of November 2017.

Brian M. Robillard* (Production Stage Manager) He/Him/His returns to Central Square after previously working on Beyond Words, The Half Life of Marie Curie, The Crucible, Bedlam’s Pygmalion, A Christmas Carol. National Tour: Menopause The Musical! Regional credits include  Crazy for You, The Cher Show, Young Frankenstein, Jersey Boys, and Smokey Joe’s Café (Ogunquit Playhouse) How High the Moon: The Music of Ella Fitzgerald, The 39 Steps (Merrimack Repertory Theatre) An American in Paris, Pippin, West Side Story (Reagle Music Theatre) Jersey Boys (North Shore Music Theatre) Macbeth, Cymbeline, Romeo & Juliet (Commonwealth Shakespeare Company) Legally Blonde (Moonbox Productions) Hair, Oliver, We Will Not Be Silent, Lonely Planet, and Brecht on Brecht (New Repertory Theatre) Brian received his BFA in Stage Management from Boston University and is a proud member of Actor’s Equity Association.