Audrey Seraphin, Community & Inclusion Advocate, has been with Central Square Theater since she began as an intern in May 2015. She graduated from Emerson College in December 2015 with a B.A. in Theatre Studies: Arts Management, and immediately joined the staff full-time. As the Community & Inclusion Advocate, she enjoys meeting new community members and patrons, programming Central Conversations, and overseeing the Catalyst Collaborative@MIT Student Advisory Committee. She also chairs the volunteer usher program and assists Front of House staff in making Central Square Theater the most welcoming place it can be. Audrey is passionate about issues of equity, diversity, and inclusion in the arts and society, and leads affinity training group All In! at CST. She is a lifelong resident of Massachusetts, a big fan of Elizabeth Warren, and an aspiring dog owner.

Pamela, Finance Manager, has held arts finance positions at The Acting Company, Pickle Family Circus, Jauchem & Meeh Special Effects, and Hangar Theatre, in addition to gigs managing a performance cafe, a sushi bar/jazz club, and doing accounting for architectural firms. She is a practicing sculptor and writer, and loves dogs, road trips, cooking and the Sunday NYT crossword puzzle.

Ricardy Charles Fabre is originally from New York and is a resident actor at the Flea Theatre (NYC). Ricardy is ecstatic about making his debut at Central Square Theater. Some past credits include The System (The Flea), Weekend Cottage (The Flea) Regionally: Our Town (Portland Center Stage), Belleville (Third Rail Rep). Ricardy would like to thank his friends and family for their support and hopes you all enjoy this wonderful theatre experience.

Alexandria Danielle King* (Nya) Central Square Theater: The Revolutionists, Arabian Nights; Born in Chicago, Alexandria Danielle King is an actor, poet, songwriter, educator, youth advocate, director, choreographer and nature enthusiast.  She received her BA in Drama from Tufts University and advanced theatre training certification from The Moscow Arts Theatre School. She believes that performance art is a divine tool for revealing and examining the condition of the heart. Some of her previous acting credits include: Antigone in Antigone (Classical Theatre of Harlem), Chelle in Detroit ‘67 (New Horizon Theatre), Lorraine Hansberry in Sighted Eyes/Feeling Heart (PBS American Masters). In Boston, you can see her in The Bluest Eye at Huntington Theatre April 24th- May 24th. Website: AlexandriaDanielleKing.com Instagram: @Divineloveheals. Pronouns: Divine Queen. For Johnny Lee Davenport.

Roberto Cassan (Musician) began studying accordion when he was eight years old. At sixteen, he was already playing professionally for public events and folk festivals in Italy and throughout Europe.  Later in his teens, while studying for his Degree in Musicology at the University of Cremona (Italy), he began to perform and compose music for the experimental theater group Teatro Sintetico, and to collaborate with musicians of different
musical backgrounds (jazz, rock, ethnic and classical). In 1991 he came to the USA to study at the Berklee College of Music in Boston, where he currently lives and works as a professional performing and recording artist.His love for music from around the world led him to explore and master different repertoires, Argentine Tango, French musette, Balkan, South American and Brazilian, focusing his attention on musicians/composers such as Astor Piazzolla, Dino Saluzzi, Hermeto Pascoal, and Richard Galliano. He collaborated and recorded with many artists, including Mexican folk singer Lila Downs, singer songwriter Martin Sexton, composer John Harbison, theater director Diane Paulus, Alain Mallet, Claudio Ragazzi, Peggy Pearson, Club D’Elf, Jessica Lurie, harpist Maeve Gilchrist, Anna Myer dance company, John Muratore, Bruno Oro, among others.He Recorded the Soundtrack for the PBS/TV Series Letters from Buster, for the episode The Accordion Festival of San Antonio (Claudio Ragazzi), Three Tangos for the TV Series LOVE BOAT (Brad Hatfield BMI), Three waltzes for accordionmfor the pilot TV Series, American Plumber (Discovery Channel), composed and performed The whispering wind for the movie Profit motive and the whispering wind, by independent film maker John Gianvito. In 2011 he played at The American Repertoire Theater (Cambridge MA), for the very successful new production of – The Gershwins’ Porgy And Bess.