Charlotte Morrill is a student pursuing a BFA in Stage & Production Management at Emerson College.  She is overjoyed to be working on another part of the Ware Trilogy, having most recently served as assistant stage manager for Mother Hicks (presented at Emerson College).  She would like to thank the production staff at CST for this opportunity, as well as Renato and Séan for being incredible mentors and friends.

Zach Tucker is excited for his first show with The Nora Theatre Company at CST. He recently served as the Production Stage Manager for Hasty Pudding Theatrical’s 167th production, ¡OOPS!… MADRID IT AGAIN. Off-Broadway credits include: Murder for Two and The Tutors (PA) at Second Stage Theatre. Regional credits include: The Heart of Robin Hood (ASM Sub/PA) at the American Repertory Theater; Guess Who’s Coming to Dinner (ASM Sub/PA), Smart People (PA), The Seagull (PA), and A Raisin in the Sun (PA) at the Huntington Theatre Company. OBERON credits include Speakeasy Circus (SM) and Cirque of the Dead (SM) for the Boston Circus Guild. Special thanks to Caitlyn for her support!

Caitlin Lowans is the associate artistic director at Stoneham Theatre where she has directed over 20 productions, most recently Doubt. Other recent Boston credits include: the world premieres of Ryan Landry’s M and Psyched for the Huntington Theatre Company; the world-premiere of MJ Kaufman’s Outlaw Jean for Fresh Ink; and Jane Bowles’ In the Summer House for Fort Point. This spring will find her back at Fresh Ink, directing the world premiere of A. Nora Long’s Clytemnestriad. She is an alumna of the art in education program at Harvard University, a member of the Lincoln Center Theater Directors’ Lab and an Associate Member of SSDC.

Kathryn Lieber, a recent transplant to the Boston area, Kathryn is excited to be making her Boston and Central Square Theater debut with Grounded. She has worked from coast to coast designing immersive, multi-media experiences with  projects in Pennsylvania, New York, Chicago, San Diego and more. Recent projects include Maria Celeste with Pioneers Go East Collective and Sweeney Todd with Saint Ann’s School. She has an MFA in Scenic Design from UC San Diego. Credits include June Moon, The Dybbuk, and Hedda Gabler. thekathryn.com.

Wen-Ling Liao (Lighting Design) is happy to be back at CST! Previous credits with The Nora: Grounded. Selected credits: Milk Like Sugar (Huntington Theatre Company); Sense and Sensibility (Dallas Theater Center ); Mr. Burns, a post-electric play (Lyric Stage); Appropriate (SpeakEasy Stage Company); Luna Gale (Stoneham Theater); The Draft (Hibernian Hall); La Traviata (Long Island Opera); A Nice Indian Boy (East West Players); I and You (Marin Theatre Company); The Exit Interview (San Diego Repertory Theatre); Scarlet Stone (Tirgan Festival/Toronto); Dis or Der (HERE Art Center); BodyParts/In Spite of It (TANZINOLTEN/Switzerland); Riz Flambe and Riz Souffle (Avignon Off-Festival/France) and Toi (Taipei Fringe Festival/Taiwan). She was the company lighting designer for Patricia Rincon Dance Collective. She earned her MFA from University of California, San Diego and BA from National Taiwan University. wenlingliao.com