Leslie Held (Costume Designer) is delighted to return to CST having designed costumes for many of their productions including; Vanity Fair (Elliot Norton award), Arabian Nights (IRNE award), Absurd Person Singular, The Other Place, Proof, and Guards at the Taj. She has designed costumes for such theaters as New Repertory Theatre; (The Cardboard Piano, The Strange Case of Dr. Jekyll and Mr. Hyde), Roundhouse Theater (Angel Street, 110 in the Shade, The Three Sisters, Twelfth Night, Cat on a Hot Tin Roof), The Alley Theater (Come Back to the Five and Dime, Jimmy Dean), Arena Stage (Candide), and the Kennedy Center (Renard the Fox). From 1989 to 2014 she held the positions of technical instructor and costume designer in the Music & Theater Arts department at MIT where she designed costumes for many productions of classical and contemporary works. Most recently, as well as designing for Boston area theaters, she teaches and designs at Suffolk University and works with her husband creating public art installations.
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Will Cabell
Will Cabell has been an actor, puppeteer, and musician in New England for over 30 years. A company member of The Barnstormers Theater (Tamworth, NH), he went on to found and tour for over 20 years with Starbird Puppet Theatre. Will worked as technical director and performer for Underground Railway Theater from 1996 to 2001, touring and acting in such shows as Are You Ready, My Sister, Intoxicating: An Eco-Cabaret, The Firebird, Carnival of the Animals, and Creation of the World. During his tenure with URT, he oversaw productions of The Tempest, How Do You Spell Hope?, and Alice Underground, the set for which, with designer David Fichter, was awarded a 1998 IRNE Award. Also with David Fichter, he created the puppet Wizard of Cahs for Car Talk:The Musical!!! He currently serves on the board and works in New Hampshire with Advice To The Players, producing plays and training young actors through Shakespeare productions.
David Fichter
David Fichter (Set & Puppetry Designer) has designed numerous productions over the past 20 years, most recently Journey to the West, Arabian Nights (2011 IRNE Award, Best Puppetry with Will Cabell), designed the puppet “The Wizard of Cahs” for Car Talk: The Musical!!!, From Orchids to Octopi, The Life of Galileo, Alice’s Adventures Underground (1998 IRNE Award, Best Design), States of Grace, and The Tempest. He designed puppets for URT’s Brundibar and the set and puppets for URT’s recent production of Matchless & The Happy Prince. He also designed the set and large scale puppets of the Kings for Madcap Puppets’ production in collaboration with the Cincinnati Chamber Orchestra’s of Amahl and the Night Visitors which ran for four seasons. Primarily, David paints colorful, figurative murals celebrating the diversity of cultures, the history of communities, and the importance of nature. He has worked collaboratively with neighborhood groups, schools, towns, and cities across the country to create over 200 large-scale public murals. For the past 18 years, David has worked with teens from the Mystic Housing Project in Somerville and local science educators to paint The Mystic River Journey, an ever-expanding mural about the Mystic River watershed.
As of November 2017.

Dominic Cooke
Dominic Cooke adapted and directed Arabian Nights for the Young Vic in 1998, which was followed by both national and international tours. More recently, in 2007 he adapted Malorie Blackman’s Noughts & Crosses for the Royal Shakespeare Company in 2007. His directing work for the Royal Court includes Rhinoceros, The Pain and the Itch, Other People, Fireface, Spinning into Butter, Redundant, F**king Games, Plasticine, The People are Friendly, This is a Chair, and Identical Twins. Other directing work in the theater includes Pericles, The Winter’s Tale, The Crucible, Postcards from America, As You Like It, Macbeth, Cymbeline, and The Malcontent (RSC); By the Bog of Cats (Wyndham’s); The Eccentricities of a Nightingale (Gate, Dublin); The Weavers and Hunting Scenes From Lower Bavaria (Gate); The Bullet (Donmar); Afore Night Come and Entertaining Mr Sloane (Ciwyd); The Importance of Being Earnest (Atlantic Theatre Festival, Canada); Caravan (National Theatre of Norway); My Mother Said 1 Never Should (Oxford Stage Co/Young Vic); Kiss of the Spider Woman (Bolton Octagon); Of Mice and Men (Nottingham Playhouse); and Autogeddon (Assembly Rooms). Awards include Laurence Olivier Awards for Best Director and Best Revival 2006 for The Crucible; TMA Award 2000 (Theatrical Management Association) for Best Theatre for Children and Young People for Arabian Nights; Fringe First Award 1991 for Autogeddon; and Manchester Evening News Award 1990 for The Marriage of Figaro. Mr. Cooke was Associate Director of the Royal Court 1999 – 2002 and Associate Director of the RSC 2002 – 2006.

Obehi Janice
Obehi Janice is an actress, writer, and comedian. Recent credits include her solo play FUFU & OREOS (Bridge Repertory Theater), Arabian Nights (The Nora Theatre Company and Underground Railway Theater co-production at Central Square Theater), It Felt Empty (Theatre on Fire), and Splendor (Company One). Obehi is a graduate of Georgetown University. The Improper Bostonian named her “Boston’s Best Actress” in 2014. obehijanice.com