Fatimah Mateen, a senior at Emerson College, studying stage and production management, recently worked with The Nora as a production assistant on Absurd Person Signular. Other professional credits include The Civilians Present: Home (ArtsEmerson, ASM) and Durang/Durang (Bad Habit Productions, ASM). Her Emerson Stage credits include Grapes of Wrath (ASM), XDance 2012 (ASM), and Man of La Mancha (ASM). Other Emerson credits: The Handmaid’s Tale (SM), The Baccahe (SM), Die Laughing: The Kevin Bright Workshop (SM), The Irish Double Bill Plays (PSM), and Glory Days (SM).

Jamie Biancardi is a junior at the University of Massachusetts Boston, where she has been involved in Lysistrata, The Seagull, Diversity of Motion, the UMB Playwrights Festival and Urinetown: the Musical. Professional credits include Legally Dead (Boston Playwrights’ Theatre) and Supergravity and the Eleventh Dimension. Now Jamie is proud to be a part of the Insignificance family and wants to thank the company for all their hard work.

Megan F. Kinneen.  Previous CST productions include Matt and Ben, and The Nora’s The How and the Why and Operation Epsilon. Recent props work includes Tribes and Kurt Vonnegut’s Make Up Your Mind (SpeakEasy Stage) and Henry VIII (Actors’ Shakespeare Project).  Other props credits include work at Boston Playwrights’ Theatre, Fiddlehead Theatre, Commonwealth Shakespeare Company, and Suffolk University.  Set designs include A Streetcar Named Desire (Wax Wings Productions) and Caucasian Chalk Circle (Apollinaire Theatre Company).  Scene painting credits include work at Cobalt Studios, Glimmerglass Opera Festival, and Cyco Scenic Studios.  MFKDesign.com.

Dewey Dellay Off-Broadway: Duet (Greenwich Street Theatre); The Countess (Criterion, London’s West End). Partial list of Boston/regional: Operation Epsilon, The How and the Why, Photograph 51, Betrayal (Elliot Norton Award, Outstanding Production by a Small Resident Company & IRNE nomination, Best Sound Design; The Nora Theatre Company); Fully Committed (IRNE nomination, Best Sound Design), The Women (Elliot Norton Award, Outstanding Design, for music and sound design), History Boys (IRNE nomination), and Five by Tenn (IRNE Award, Best Sound Design, SpeakEasy Stage Company); 9 Parts of Desire and Miss Witherspoon (Lyric Stage Company). Television: Music for Emmy-nominated National Geographic’s China’s Mystery Mummies and Discovery Channel’s Miami Jail, America’s Spookiest Places, and Date Patrol, as well as many national commercials. Mr. Dellay is composing music for the upcoming television show Our America, with Lisa Ling for the Oprah Winfrey Network.

Scott Pinkney is pleased to return to The Nora, where he has designed several shows, including Absurd Person Singular, The How and the Why, We Won’t Pay! We Won’t Pay!, The Seahorse, and Van Gogh in Japan. On Broadway, he designed Harvey Fierstein’s Tony Award-winning Torch Song Trilogy. Off-Broadway credits include the recent hit Becoming Dr. Ruth, Majestic Kid, Divine Fire, and The World is Made of Glass. He has designed more than 20 productions for Barrington Stage Company, including Scott and Hem in the Garden of Allah, All My Sons, Best of Enemies, The Crucible, Whipping Man, Carousel, A Streetcar Named Desire, and Follies. Other regional designs include Don Juan for The Denver Center (Denver Critics Circle Award), Comedy of Errors for Commonwealth Shakespeare (Elliot Norton Award), Balkan Women for Bristol Riverside Theatre (Barrymore nomination), and My Fair Lady for TheatreVirginia (Phoebe Award). Internationally, he has designed for Singapore Rep and The Club Mohamed-Ali in Cairo. Mr. Pinkney is an associate professor of lighting design at Emerson College in Boston. SLPinkney.com.