
Jack Cline he/they, (Music Director – Performances) is a musician and California girl who is overjoyed to be making their Central Square Theater debut. Most recently, he’s worked on HAIR at Tufts University and Assassins at Lyric Stage Company of Boston. To paraphrase their idol adrienne maree brown, science fiction is a form of community organizing; we are shaping the future we long for and have not yet experienced. I love you Mom, to Pluto and back. @j.ackcline
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Catherine Alam-Nist (Assistant Director) is a director, designer and researcher based in whichever institutional library she is currently haunting (at the moment, Harvard’s Widener). Her academic work looks at the relationship between German-Jewish philosophy and dramatic aesthetic/theory; as a director, she is most interested in stories that centre religion and/or women, as well as in stylistic approaches that allow for interdisciplinary experimentation and blurring of the performer/audience binary. Current influences include Martin Buber, the book of Job, PJ Harvey, and KillMonday’s 2015 immersive psychological horror video game Fran Bow. She wants to heartily thank Lee for being the badass female director a 23-year-old baby female director really needs to see, and she hopes everyone has fun watching three women being very silly (very skillfully) for two and a half hours!
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Pat-rice Rooney*, she/her ( Production Stage Manager) Regional: Stew, Grand Horizons (Gloucester Stage Company); Lyric Back Stage,The Book of Will (Lyric Stage Company); As You Like It (Actors’ Shakespeare Project); Matilda (Wheelock Family Theatre); Torch Song, The Good Deli, Rocky Horror Show (Moonbox Productions). Education: BFA in Stage Management 2020.
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Liz Diamond* they/them (Stage Manager) Liz is delighted to be returning to work with Central Square Theater. They previously ASM’d The Rocky Horror Show here, and have since SM’d on The Interrobangers with Company One, Let’s Misbehave with Pansy Productions, and both Mermaid Hour and The Thanksgiving Play with Moonbox Productions. They are a Boston-based artist who prioritizes queer, trans, and multicultural theater, and a Free Palestine.
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Anna Drummond, they/them (Sound Designer) is an award-winning, Boston-based sound designer specializing in SFX curation and audio programming for theatre companies and educational institutions.
Selected Previous Credits Include: Exception to the Rule (Front Porch Arts Collective); K-I-S-S-I-N-G (The Huntington); Pass Over, BLKS, Laughs in Spanish, Cost of Living, Primary Trust, The Antiquities (SpeakEasy Stage); Smoke, Isabel, Where The Black Boys Are (The Theatre Offensive); Nüwa in Fairyland (Chuang Stage); Learning How to Read By Moonlight (Chuang Stage & Company One); The Interrobangers, HOOPS (Company One); Emma (Actors’ Shakespeare Project); Kayfabe, Our Friend Lyssa!, Truth or Consequences (Fresh Ink Theatre); Beyond Words (Central Square Theater); soul tapes, The Book of Lucy, Mother Courage and Her Children (Trinity Repertory Company/Brown University).
They hold a BA with Honors in Sound Design/Audio Post-Production from Emerson College’s Visual & Media Arts department. Find them at anna-drummond.com | @annatdrummond
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