Mark St. Germain

Mark St. Germain

Mark St. Germain has written the plays FREUD’S LAST SESSION (Off Broadway Alliance Award), CAMPING WITH HENRY AND TOM (Outer Critics Circle Award and Lucille Lortel Award) FORGIVING TYPHOID MARY, (Time Magazine’s “Year’s Ten Best”) and BECOMING DR. RUTH, the story of Dr. Ruth Westheimer. He’s written ELEANOR, starring Harriet Harris and RELATIVITY, starring Mike Nussbaum, as well as the plays BEST OF ENEMIES, EARS ON A BEATLE, SCOTT AND HEM, OUT OF GAS ON LOVER’S LEAP and FORGIVENESS. THE HAPPIEST MAN ON EARTH, originating at Barrington Stage Company, was subsequently produced in London,  premiered at Barrington Stage Company as did his newest play, FORGIVENESS.

With Randy Courts, he has written the musicals THE GIFTS OF THE MAGI, JOHNNY PYE AND THE FOOLKILLER and JACK’S HOLIDAY. Mark’s musical, STAND BY YOUR MAN, The Tammy Wynette Story, was created for Nashville’s Ryman Theater. With John Markus he wrote the comedy with music, THE FABULOUS LIPITONES and with Josh Bergasse co-created the dance musical, A CROSSING.

Great Barrington Public Theater premiered his plays DAD and PUBLIC SPEAKING 101.

Mark wrote the screenplay for the film adaptation of FREUD’S LAST SESSION which starred Anthony Hopkins and Matthew Goode. He co-wrote the screenplay for Carroll Ballard’s Warner Brothers film, DUMA. His play THE GOD COMMITEE has been made into a film with the same name.  He directed and produced the documentary, MY DOG, An Unconditional Love Story, featuring Richard Gere, and Glenn Close among others. Television credits include THE COSBY SHOW and Dick Wolf’s CRIME AND PUNISHMENT.

His books include the comedic memoir WALKING EVIL and the thriller, THE MIRROR MAN.

He is a member of the Dramatists Guild, the Writer’s Guild East and an Associate Artist at the Barrington Stage Company.  Barrington Stage named their second stage “The St. Germain Stage.”

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Texaco Texeira-Ramos

Texaco Texeira-Ramos (Assistant Director & Dramaturg) is a graduating senior at Harvard University and an emerging artist in the Greater Boston area. Texaco is a young director, designer, and performer working across the mediums of theater and film, having most recently directed The Glass Menagerie. Texaco has also worked in pre-professional positions with the American Repertory Theater and the Oregon Shakespeare Festival.

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Juliet Bowler

Juliet is thrilled to work with CST. Favorite roles include Not Medea (Elliot Norton nomination), Silent Sky (IRNE Award winner for Best Supporting Actress), The Pillowman (Tupolski), Bright Room Called Day (Gotchling), Our Miss Brooks (Connie Brooks), The Winter’s Tale (IRNE nomination), and Bully Dance (Nola). Juliet is also a director, improviser, and professional voice artist, serving as the voice of United Way Massachusetts, Dental Relaxation, and Keep Local Farms, along with a variety of documentaries, serialized dramas, and video games.

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Curt Columbus

Curt Columbus

Curt Columbus (1) is a director, playwright, translator and adaptor whose work has been seen on stages throughout the American Theater for the last forty years. His directing credits include The Roommate, POTUS, Becky Nurse of Salem, Sweeney Todd, Tiny Beautiful Things, Macbeth, Ragtime, Uncle Vanya, Beowulf: A Thousand Years of Baggage, Middletown, Vanya and Sonia and Masha and Spike, The Merchant of Venice, His Girl Friday, Camelot, Cabaret, The Receptionist, Blithe Spirit, A Christmas Carol, Merrily We Roll Along, Cherry Orchard, A Midsummer Night’s Dream, A Dybbuk, Our Town, The Maids, and The Mystery of Irma Vep.  He has directed many world premiere works, including The Death of Zukasky, The House of Lily, Social Creatures, and The Getaway Driver.  

As a playwright and translator, Trinity Repertory Company has been home to the world premieres of three of his plays, Paris by Night, The Dreams of Antigone, and Sparrow Grass. Trinity has also produced his translations of Chekhov’s Ivanov, as well as Feydeau’s A Flea in Her Ear and Lope de Vega’s Like Sheep to Water (Fuente Ovejuna).  His translations of Chekhov’s Uncle Vanya and Cherry Orchard were developed at Steppenwolf Theatre, while Three Sisters was developed at the Arden Theatre. Dramatists Play Service publishes his translations of Chekhov’s Seagull, Uncle Vanya, Three Sisters, Cherry Orchard, and Ivanov, as well as his translation of de Vega’s Fuente Ovejuna and his original play, Sparrow Grass.

Curt’s adaptation of Dostoevsky’s Crime and Punishment (with Marilyn Campbell) has won awards and accolades at theaters around the United States, the United Kingdom and Australia.  The New York Times said of the adaptation, “[I]n a feat that rivals the construction of the Hoover Dam, Crime and Punishment has been distilled into a taut 90-minute play, now at the 59E59 Theaters, which will banish any bad memories you might have of trying to struggle through Dostoyevsky’s book… Who would have thought that the novel no high school student has ever finished reading would make such engrossing theater?”

From January 2006 through September 2026, Curt served as artistic director of Trinity Repertory Company, becoming the second longest-serving artistic director in the theater’s history; during that tenure, he also led the Brown University/Trinity Rep MFA programs in Acting and Directing and was a Professor of the Practice at Brown University.  Prior to Trinity, Curt spent twenty years in Chicago theater, serving as associate artistic director of Steppenwolf Theatre Company from 2000 to 2005, artistic director of Theater on the Lake from 1994 to 2005, director of the University of Chicago’s University Theater from 1994 to 2000, and artistic associate at Victory Gardens Theater from 1989 to 1994.  He was awarded the 2019 Kennedy Center Medallion for his work co-creating the LORT/Kennedy Center ASPIRE Leadership Fellows Program as part of the American College Theater Festival.

Curt lives in Bradford, Vermont with his husband, Nate Watson, a professional traveler.

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Charlie Thurston

Charlie Thurston (Playwright) is an actor and playwright. Playwriting: His plays have been developed at Huntington Theater Company, The Filigree Theatre, Wilbury Theatre Group, Local Theater Company, and Creede Repertory Theatre. Most recently, he co-wrote Someone Will Remember Us with Deborah Salem Smith, which made its world premiere at Trinity Rep in 2025. Broadway: Charlie originated the role of “Bill” in Liberation, which won the Tony Award for Best Play and the Pulitzer Prize for Drama. Current Project: Charlie is originating the role of Archie in the upcoming production of Imitation of Life Off-Broadway at The Shed. Book by Lynn Nottage, music by John Legend, direction by Whitney White. Other Theaters: BAM, NYTW, Roundabout, A.R.T., Yale Rep, Philadelphia Theatre Co., Shakespeare Theatre Co., Goodspeed, La Jolla Playhouse. Select Trinity Rep performances include The Prince of Providence, Ragtime, Beowulf, Oklahoma!, The Grapes of Wrath, and the world premieres of The Song of Summer, Social Creatures, and …Edgar Allan Poe. Film: Life, Itself, Money Monster, Boston Strangler, Finestkind. Television: “Julia,” “Dexter,” “Law & Order: SVU.” Education: MFA in Acting, Brown/Trinity Rep.

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