Paris Ellsworth (Nephew et al.) is thrilled to be making his debut with Central Square Theater. New York credits include Mike Collins in 1969: The Second Man, Officer Lockstock in Urinetown, and Enkidu in GO! GO! Gilgamesh. Regional credits include John Wilkes Booth in Assassins and Joseph Bremer in Bremer’s Moving Picture Musical Dictionary. Thanks so much to Debra Wise and the entire CST crew! Hello Jonah. Love to Mom-Mom and Pop-Pop!
Updated November 2018
Julia Tara Springer (Ghost of Christmas Past et al.) is elated to be making her URT debut with their production of A Christmas Carol. A native of SoCal, Julia moved to MA to attend Wellesley College (’16), where she majored in Cognitive and Linguistic Sciences and minored in Italian Studies. There, she also joined the notable Harvard Ballet Company. Additionally, Julia has her TEFL certification and has had the wonderful opportunity to teach ESL in Italy. Recent/Notable credits include: A Chorus Line (Reagle Music Theatre), West Side Story (Norris Center for the Performing Arts, NCPA), La Cage Aux Folles (The Company Theatre), Seussical (Wheelock Family Theatre) and Beauty and the Beast (NCPA). Love and gratitude to her parents for their continued support, the entire creative team, Mesma Belsare, and Debra Wise for her directorial expertise. Enjoy this delightfully unique rendition of A Christmas Carol!
As of November 2018
Nicole Clark (Assistant Stage Manager) is a freelance stage manager and technical director working in the Boston area. She received her BFA in Technical Production with an emphasis in Stage Management from Boston University and is the recipient of the 2018 Daisette Hay McKelvie Award for Theatrical Collaboration and the Chuck Giles Award for Excellence in Technical Production. Her recent work includes BCAP and New Repertory Theatre’s world premiere co-production of Ripe Frenzy (Technical Director), OperaHub’s world premiere of DIVAS (Production Stage Manager), Boston Midsummer Opera’s Il barbiere di Siviglia. (Assistant Production Manager), and Boston Children’s Theatre’s Carrie the Musical (Stage Manager) and 2018-2019 season (Production Manager).
Manny Rosario (Assistant Director) is a senior at the Boston Conservatory at Berklee where he studies Contemporary Theatre. He recently directed an adaptation of Derek McCormack’s The Well Dressed Wound (Earthstone Theatre Company). Other credits include Tales from the Sandman (New England Tour), Murder in the Ladies Room, La Reina Gitana, Death at First Swipe, (Micro Theater Miami), and Reefer Madness (Mainstreet Players).
October 2018.
Renee E. Yancey (Stage Manager) is a stage manager, production manager and theatre educator. Credits in New England include Stage Manager for Ripe Frenzy (New Repertory Theatre/BCAP), The Fantasticks (Opera House Arts), The Honey Trap and Faithless (Boston Playwrights’ Theatre) and Production Manager for Richard III (Commonwealth Shakespeare Company) and A Midsummer Night’s Dream and The Boys from Syracuse (Commonwealth Shakespeare Company/Landmarks Orchestra). Originally from Texas, Renee spent 10 years based in the Washington, D.C., area where she performed stage, production, and events management for Olney Theatre Center, Studio Theatre, theatre Washington/Helen Hayes Awards, Shakespeare Theatre Company, Velocity DC, and AFI Silver Spring. Renee is a Lecturer and Program Head of Management for the School of Theatre at Boston University. Education: BFA Texas State University; MFA Boston University. Proud member of Actors’ Equity Association.
October 2018.