Nick Dear

Nick was born in Portsmouth, England, and grew up along the coast in Southampton. In 1977 he graduated from the University of Essex with a BA in Comparative European Literature.

Whilst at Essex, Nick became interested in theatre, beginning with a career-defining role as the Second Murderer in Macbeth. He soon realised he was not going to be an actor, and by the time he left Essex, he had written his first play.

Between 1978 and 1986 he lived in Yorkshire, where he held down a variety of unlikely jobs whilst embarking on a series of plays for BBC Radio, and early outings in the theatre.

He was Writer-in-Residence at the University of Essex in 1985, and at the Royal Exchange Theatre, Manchester, in 1987-8.

His breakthrough came in 1986 with the production of The Art of Success at the Royal Shakespeare Company in Stratford-upon-Avon. Subsequently he has sustained a full-time career as a playwright and screenwriter.

Nick’s work has been directed by, amongst others, Danny Boyle, Declan Donnellan, Adrian Noble, Lindsay Posner, Trevor Nunn, Roger Michel, Richard Eyre, and Richard Jones.

In 1991-2 he was attached to Peter Brook’s C.I.C.T. Company in Paris. They collaborated on Brook’s production of Qui est lá? (Bouffes du Nord, Paris, 1996).

In 1995 his first film for TV, Jane Austen’s Persuasion, won a BAFTA award, and was subsequently screened in cinemas around the world.

His adaptation of Mary Shelley’s Frankenstein, directed by Danny Boyle at the National Theatre, became one of the first successes of NT Live, and has since been seen by a vast audience internationally.

In 2003 he began a series of adaptations for ITV of Agatha Christie’s Poirot. His scripts for the show include “The Hollow”, “Cards on the Table”, “Mrs McGinty’s Dead”, “Three Act Tragedy”, “Elephants Can Remember and Dead Man’s Folly”. “Dead Man’s Folly” was the last Poirot to be shot with David Suchet in the title role, filmed at Christie’s own house ‘Greenway’ in Devon.

Nick lives in London with his wife, Penny Downie.

April 2018.

Tags:



Christine Power

Christine Power (Antonia Maury) is pleased to be making her debut with The Nora. Recent local credits include Lost Girls (Take Your Pick Productions), The Curious Incident of the Dog in the Night-Time (SpeakEasy Stage), Barbecue (Lyric Stage), Faithless (Boston Playwrights’ Theater), Good; Three Viewings (New Rep), A Great Wilderness; Good Television (Zeitgeist Stage), Six Degrees of Separation (Bad Habit Productions), Equus (Off the Grid), Greenland (Apollinaire – IRNE nomination Best Supporting Actress), Chalk (Fresh Ink Theater), In the Summer House (Fort Point Theater Channel), The Miracle Worker (Wheelock Family Theater), Neighbors (Company One – Norton nomination Outstanding Actress). New work development with Speakeasy’s Boston Project; New Rep Next Voices;  Boston Playwrights’ Theater; The Nora; Fresh Ink’s Ink Spots; Rhombus Playwrights’ Group; Grub Street.

Tags:



Becca A. Lewis

Becca A. Lewis (Williamina Fleming) is pleased to have her Central Square Theater debut with the Nora after The Women Who Mapped the Stars workshop performance last spring. Becca co-created and performs in The Pineapple Project with Queer Soup, an original piece for kids celebrating gender diversity (PineappleProject.org). Additional credits include: Charlotte’s Web (Wheelock Family Theatre), Revolt. She said. Revolt again (Dig Boston’s Best Performance), Splendor (IRNE nomination Best New Play), GRIMM (IRNE Supporting Actress), Voyeurs de Venus (Elliot Norton nomination Outstanding Production, Company One), The Big Meal (Elliot Norton nomination Outstanding Actress, Ensemble), Tigers Be Still (Elliot Norton nomination Outstanding Actress, Production), My Wonderful Day (Elliot Norton nomination Outstanding Production), Enron (Zeitgeist Stage), Three Sisters, Informed Consent, The Sonic Life of a Giant Tortoise, Detroit, (Apollinaire Theatre Company), A Behanding in Spokane (Elliot Norton Nomination Outstanding Production, Theatre on Fire), Far Away, Vinegar Tom, Fen (Whistler in the Dark). It is rare that one gets the opportunity to inhabit a soul whose life’s work took place in such close proximity and whose bones are at rest down the road in Mount Auburn Cemetery. Becca is grateful to be trusted with the task of honoring the legacy of Williamina Fleming as well as the legacies of all of these brilliant women. Thank you for listening to their story.

April 2018

Tags:



Nina Alexander

Nina Alexander (Properties Master) is so thankful that she began her technical theater career at Cambridge Rindge and Latin School. Since then she has earned a BA in sculpture from Rhode Island School of Design and for the last decade has worked in Props, Sets and Paint for companies and productions in Boston, Maine, Rhode Island and New York. As a Brooklyn-based artist she currently divides most of her time between crafting props or building and painting sets at New York University’s Tisch Graduate School of the Arts, and helping to create and maintain exhibitions at the New York Botanical Garden’s Everett Children’s Adventure Garden in the Bronx. She is honored to be a part of the Taj team, and especially delighted to be back making theater in her home city of Cambridge.

Tags:



Reza Behjat

Reza Behjat (Lighting Designer) began his career in Iran – where he was born and raised – working with some of the prominent directors on various productions for several years. In 2014, he moved to the US to pursue his MFA degree in Lighting Design at New York University. Reza was nominated for 2017 Henry Hewes Design Award for Hamlet. Off-Broadway: Hamlet (Waterwell). Off-Off Broadway: This Is The Color Described By The Time (New Georges), Fillx7 (The Flea Theater),Tear A Root from the Earth (New Ohio Theater), Alkestis (Connelly Theater), Fall River (Penguin Rep.), The Winter’s Tale (NYU), I Wasn’t Going to… (NYU), The Little Black Fish (Down Art Center). MFA: Lighting Design, NYU; MA: Theater Directing at Art University of Tehran, Iran.

Tags: