Four actors perform all 24 roles in Bedlam’s production of Saint Joan, declared “Irresistible! Ferocious!” and “A force of nature!” by the New York Times, Best of Theater 2014 by Ben Brantley of the New York Times, and a Top Ten Play of 2013 by Time magazine. In this epic story, Shaw paints Joan of Arc not as a saint, witch, or madwoman, but a farm girl who is an illiterate intellectual, a true genius whose focus on the individual rocked the Church and State to their core. After sold-out runs in NYC and DC, Eric Tucker (director, Women of Will and artistic director of Bedlam) brings Saint Joan to Cambridge.

What are moving seats?

While we will be using the same seating configuration as you have experienced attending Arabian Nights, at each intermission, patrons in some these seats will move to different parts of the theater. The area where their seats were will become new playing spaces for the actors. The result: An immersive experience that offers different perspectives on the action.

If you look at the seating chart, sections that have seats that move are labeled “Moving Seats”. The choice is yours.

Enter ancient Persia, and be transformed by the power of storytelling. The Nora Theatre Company and Underground Railway Theater revive their award-winning production (2012 Independent Reviewers of New England Awards for Best Ensemble, Best Puppetry, Best Costumes, and Best Director) of Dominic Cooke’s Arabian Nights. Based on One Thousand and One Nights, a collection of folk tales from the Middle East and Asia, Arabian Nights is rich with suspense, romance and hilarity – stories irresistible for all ages, at its heart is the power of the imagination to heal, inspire, and transform.

Arabian Nights is not part of any subscription package.

Harriet and Molly just happen to be reading the same pulpy romance novel – Her Aching Heart. Transported by their imaginations into the Victorian world of the trashy tale, they embody the willful aristocrat, haughty Harriet Hellstone and the sweetly pure country maiden Molly Penhallow. A bodice-ripping affair ensues, filled with imaginatively absurd characters, swept up by passion and romance of historic proportions. With two actresses portraying every character—including the men who long for them—Bryony Lavery has crafted a satirical romantic potboiler, complete with songs and miracles, spoofing gender clichés and stereotypes with hysterical results.

Tonight, Emilie du Châtelet, leading physicist (before there was such a word), card shark, and all-around bad ass during the Age of Enlightenment returns searching for answers: Love or Philosophy? Head or Heart? Join the outspoken, revolutionary, and brilliantly sexy Marquise who introduced Newtonian physics to France and took Voltaire as her lover (correcting errors in his work) for a “fiercely inquisitive and joyfully sexy” (San Francisco Chronicle) theatrical exploration. Traverse time and space with a woman living ahead of her time, ignoring the rules of polite society, with her only limitation being that of her dexterous mind.

A Catalyst Collaborative@MIT 10th Anniversary Production

A Disappearing Number is SOLD OUT.
If you would like to join a wait list for tickets, please arrive at the box office one hour before the performance.

In 1913 a clerk in rural India, Ramanujan, sends a letter to the renowned Cambridge mathematician, G.H. Hardy, containing an extraordinary series of theorems. What ensues is a legendary, intellectually passionate, seven-year collaboration. Interwoven with the present-day story of Ruth, a British math professor, and her husband, an Indian-American businessman. Drama, comedy, Indian dance and music weave an immersive experience the New York Times called “mesmerizing”, a love-story that combines the clashes of culture, the sensuality of ideas, while illuminating the mystery of mathematics. A Disappearing Number received the 2007 Olivier, Evening Standard, and Critic’s Circle Theatre Awards for Best New Play. A Disappearing Number is partly Inspired by G. H. Hardy’s book A Mathematician’s Apology.

A Catalyst Collaborative@MIT 10th Anniversary Production