
Switzerland, 1905: A modest, newly-married patent clerk struggles to make ends meet while re-conceiving time. What happens when Albert Einstein completes his Theory of Relativity? Absurd, comic, and poetic, Einstein’s Dreams captures the poignancy of the human condition. In celebration of the 100th anniversary of Einstein’s Theory of General Relativity, Underground Railway Theater reunites the original 2007 world premiere cast, adapted by director Wesley Savick (Mr g, Car Talk: The Musical!!!) from the novel by Alan Lightman.
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Copenhagen, 1941: Two brilliant physicists – fast friends from enemy nations – famously confront each other at the height of WWII. This award-winning psychological mystery unravels what transpired on that fateful night. Werner Heisenberg and his mentor Niels Bohr meet again in the afterlife, goaded by Bohr’s wife, Margrethe. Who will remember the truth that changed the course of history? Commemorating the 70th anniversary of the dropping of the Atomic Bomb, Eric Tucker (Artistic Director of Bedlam, of last season’s Bedlam’s Saint Joan) cracks open Michael Frayn’s contemporary classic play.
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Kira Patterson, Sarah Oakes Muirhead, & Celeste Oliva. Photo: A.R. Sinclair Photography. Design: Bird Graphics.
Derbyshire, England, 1809: A brilliant thirteen year-old, Lady Thomasina Coverly, proposes a scientific theory with implications well beyond her own understanding while her tutor, Septimus Hodge, engages in romantic entanglements with the lady of the house, among others. Simultaneously, present day academics Hannah and Bernard investigate the scandals of Sidley Park in the early 19th Century, including a mysterious visit from Lord Byron and an elusive character known as the Sidley Hermit. Praised as “A play of wit, intellect, language, brio and.. emotion.. exhilarating!’ by The New York Times, Tom Stoppard’s Arcadia is a romantic and funny exploration of the heart, the sciences, and how history is mis-created.
A Catalyst Collaborative@MIT Production
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Kate and Huntley Hartley, atheist Manhattanites, anxiously await the arrival of their daughter, up-and-coming television news producer Kitty, and her new beau Paul, for dinner—and much, much more. When Paul turns out to be an Evangelical Christian educator—the liberal, cultured Kate’s worst nightmare—everything is turned upside down as Kate tries to scuttle the budding romance. The uproarious Jennifer Coolidge (American Pie, Best in Show, and TV’s 2 Broke Girls) makes her Boston debut as Kate, the ruthless, unfiltered, and politically incorrect matriarch in Marisa Smith’s hilarious comedy.
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Andrus Nichols. Photo: A.R. Sinclair Photography.
Four actors perform all 24 roles in Bedlam’s production of Saint Joan, declared “Irresistible! Ferocious!” and “A force of nature!” by the New York Times, Best of Theater 2014 by Ben Brantley of the New York Times, and a Top Ten Play of 2013 by Time magazine. In this epic story, Shaw paints Joan of Arc not as a saint, witch, or madwoman, but a farm girl who is an illiterate intellectual, a true genius whose focus on the individual rocked the Church and State to their core. After sold-out runs in NYC and DC, Eric Tucker (director, Women of Will and artistic director of Bedlam) brings Saint Joan to Cambridge.
What are moving seats?
While we will be using the same seating configuration as you have experienced attending Arabian Nights, at each intermission, patrons in some these seats will move to different parts of the theater. The area where their seats were will become new playing spaces for the actors. The result: An immersive experience that offers different perspectives on the action.
If you look at the seating chart, sections that have seats that move are labeled “Moving Seats”. The choice is yours.
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