Catherine Carr Kelly (Executive Director, Central Square Theater) was Managing Director of Underground Railway Theater for eleven years and served as Campaign Manager for the Campaign for Central Square Theater for the two years prior to becoming the CST Executive Director. Ms. Carr Kelly is also the Founding Managing Director of the Women on Top Theater Festival of New Works, running from 2000 to 2007. She co-founded the award-winning I Was There Project, an interdisciplinary arts-based oral history residency for elementary schools created in partnership with the John Nicholas Brown Center at Brown University. Ms. Carr Kelly is on the Central Square Cultural District Advisory Committee, The MassCreative Leadership Council and a Co-Chair of Development Committee for the Providence Children’s Film Festival. Past board involvement includes the Somerville Arts Council, StageSource, and the Arts/Boston Advisory Board. She served on the inaugural co-hort for the Theater Communications Group’s national Equity, Diversity and Inclusion initiative. Ms. Carr Kelly has consulted for theaters, restaurants, communications firms, and statewide arts councils in public relations, small business management, marketing and EDI. She speaks often on the power of collaboration for non-profits at conferences, public forums and universities. Ms. Carr Kelly has also stage managed, assistant directed, and produced original theater in Prague, Czech Republic

October 2018.

Debra Wise (she/her) launched Underground Railway Theater in Oberlin, Ohio with founding Artistic Director Wes Sanders. From 1978-2008, they toured original works nationally and abroad to venues ranging from Lincoln Center to public schools. Their work was inspired by the collaborative, activist spirit of the Underground Railroad, with titles including Sanctuary – The Spirit of Harriet Tubman, Home is Where, InTOXICating and The Christopher Columbus Follies; they also collaborated with Boston Symphony and other orchestras (Firebird, Creation of the World, Tempest). Wise assisted Sanders in creating a digital book about URT’s history:  www.URTheaterEbook.com.  After Wise became URT’s Artistic Director, she continued to create performances for non-traditional venues, including Boston’s Museum of Science (Aging Puzzle); New Center for Arts and Culture (Jewish Women and Their Salons); the Mary Baker Eddy Library; the MFA (Art InterACTions); and the streets of Cambridge (Public Art ACTS). After opening Central Square Theater with The Nora Theatre Company in 2008, Wise worked with playwrights Alan Brody and Jon Lipsky, and physicist/author Alan Lightman, to found Catalyst Collaborative@MIT (CC@MIT), CST’s science theater partnership. She led partnerships with Mount Auburn Cemetery (Our Town) and the National Park Service (Roots of Liberty – The Haitian Revolution and the American Civil War, featuring actors, dancers, musicians, and guests Danny Glover, Henry Louis Gates and Edwidge Danticat). URT@CST won Elliot Norton awards under Wise’s leadership: Vanity Fair (Outstanding Design); black odyssey boston (Outstanding Ensemble); The Convert and Constellations (Outstanding Production) and Bedlam’s St. Joan (Best Visiting Production). Acting appearances at CST have included The Half-Life of Marie Curie, Vanity Fair, Homebody, Copenhagen, Brundibar & But the Giraffe!, The Other Place, Distracted, The How and the Why, Einstein’s Dreams, From Orchids to Octopi: An Evolutionary Love Story, Yesterday Happened: Remembering H.M., Breaking the Code, Arabian Nights and A Christmas Memory. Appearances on other Boston stages: Much Ado About Nothing (Commonwealth Shakespeare); Doll’s House 2 and Escaped Alone (The Gamm);  Mistero Buffo (Poets’ Theatre); A Boston Marriage and Orson’s Shadow (New Rep); People, Places & Things (Speakeasy); and Chosen Child (Boston Playwrights’); in NYC, The Haggadah (The Public, with Julie Taymor). Work as a playwright includes her adaptation of A Christmas Carol; States of Grace (inspired by Grace Paley’s stories); and Alice’s Adventures Underground (adapted from Lewis Carroll). She developed the curriculum Art Works for Schools with DeCordova Museum, public schools and Harvard’s Project Zero, and collaborated with Harvard’s Graduate School of Education for 20 years, training educators on using theater to help students think deeply across the curriculum. Wise left her CST Artistic Director position in 2022, to help invite increasingly diverse leadership; she now serves on the CC@MIT Advisory Committee. Her new position is Associate Artistic Director for The Revels (www.revels.org), and she consults for the Oberlin-Wellington Rescue Theater Project (www.owrproject.org). Her third audiobook in Gregory Maguire’s return to his Wicked epic, The Witch of Maracoor, will be released this fall. 

Mary C. Huntington is the founding Artistic Director of The Nora Theatre Company, overseeing artistic and operational policy and the development of its seventy-two productions to date. Of these, thirty have been Boston or New England area premieres, five have been world premieres, and three have been world premiere translations or adaptations. Over the course of its history, the company has been accorded many accolades, including seven Elliot Norton Awards, five IRNE Awards, and inclusion in many year-end “Best of” lists. Ms. Huntington began her theater career as an actress, playing in such Off-Off Broadway, regional, and summerstock productions as The Little Foxes, Candide, Company, Marat/Sade, A Midsummer Night’s Dream, Annie Get Your Gun, Baby, Agnes of God, and The Madwoman of Chaillot. Her appearances for The Nora include roles in Virginia, Good Night Desdemona (Good Morning Juliet), Spoils of War, Carthaginians, The Club, and Equus, among others. While the company resided at Harvard University, she also acted and directed for The Nora/Harvard student collaborations. While living in New York City, she produced and performed in her own musical nightclub act. She holds an MFA from Brandeis University, where she was an artist-in-residence, and apprenticed in theater production at the Williamstown Theatre Festival and The Barn Theatre in Michigan. Ms. Huntington is one of the leaders in the development of Central Square Theater. Her work in the areas of fundraising, design of the new space, and creation of a new management structure contributed to the realization of the partnership with Underground Railway Theater and the collaboration with MIT and the City of Cambridge. A former StageSource board member, she serves on the Executive Committee of NEAT – the Producers’ Association of New England Area Theatres and on the board of the Theatre Community Benevolent Fund, of which she is also a founding member. This past June, she received the 2013 StageSource Theatre Hero Award.