Musa Gurnis (Dramaturg) Central Square Theater: debut; Musa is a theater scholar and practitioner. She is the author of Mixed Faith and Shared Feeling: Theater in Post-Reformation London. In 2020 she will serve as dramaturg and assistant director for the first American staging of all eight of Shakespeare’s history plays on the Wars of the Roses in repertory with the feminist company Brave Spirits in Washington DC. She holds a Ph.D. in early modern theater from Columbia University and studied classical acting at the Royal Academy of Dramatic Art.

William Sydney (Assistant Director) Central Square Theater: debut; William is a New York-based director and playwright. Thanks to Eric, Lee, and the cast for creating such a wonderful community! Columbia University (BA).

Ted Kearnan (Sound Designer) Central Square Theater: debut. Ted is a sound engineer/designer and actor, excited to be working with the Nora Theatre Company. He currently appears in the podcast The Society Pages from Queen Wednesday productions. He would like to thank his family, friends, and Danielle for all their support.

Nathan Malin (Assistant Director) Central Square Theater: Matchless & The Happy Prince (u/s); Bedlam: Uncle Romeo Vanya Juliet (production intern); Nathan is thrilled to be assisting on The Crucible! Previous acting credits include 1984 and The Lathe of Heaven (Boston University), Maura Dunne (The Poets’ Theatre), Titus Andronicus (Actors’ Shakespeare Project), Much Ado About Nothing (Boston Theatre Company). He is currently pursuing a BFA in Theatre Arts from Boston University, and trained at Shakespeare & Company.

Lindsay Genevieve Fuori (Scenic & Properties Designer) Central Square Theater: debut; Lindsay is a Boston based scenic designer thrilled to be collaborating with The Nora Theatre Company and Bedlam. Recent design credits include Hazardous Materials, a world premiere, Pride and Prejudice (Creede Repertory Theatre), Measure for Measure (Spicy Witch Productions), The Earth Room (Fresh Ink Theatre), Die Fledermaus (Mass Opera), Paride ed Elena (Odyssey Opera), Ragtime (Wheelock Family Theatre), Death Comes to Us All, Mary Agnes (Hangar Theatre). Lindsay holds a BFA in Scene Design from Boston University.  LindsayFuori.com.